Featured Events in Bristol in April 2024 (February Updated)

Katie Paterson in collaboration with Zeller & Moye has gathered 10,000 tree species spanning time and space for Hollow. A new public artwork for Bristol, commissioned by the University of Bristol and produced by Situations. From 9 May 2016 step inside a structure that is made of thousands of unique samples of tree species, sourced from every country across the world, from fossilized trees from the earliest forests that emerged over 390 million years ago to the most recent emergent species. Within Hollow you will discover the story of the planet. Renowned for her exploration of the cosmos and geological time, artist Katie Paterson has amassed a collection of 10,000 tree species to form a new artwork for Bristol. The samples of wood span time and space and have been sourced from across the globe. From the oldest tree in the world to some of the youngest and near-extinct species, the tree samples contain within them stories of the planet’s history and evolution through time. Hollow opens to mark the opening of the University of Bristol’s new Life Sciences building. As part of the unveiling of Hollow, join the artist and architects in conversation with Dr Jon Bridle from the University of Bristol's Life Sciences department. Monday 9 May, 6.15pm see www.situations.org.uk for booking details.

Five artists from PROPS display their pictures following weeks of exploration in the Museum. The artists have taken inspiration from the stories and colour in our stained glass windows, as well as the documentary drawings by Bristol artist Denis Reed. Accompanied by compelling portraits created by artist , when working in care, looking after people with learning disabilities.

A site-specific commission by Olu Ogunnaike that combines handmade OSB, charcoal screen prints and silt from the river Avon with charred objects recovered from the recent fire at Underfall Yard, a historic boatyard near Spike Island. OLU OGUNNAIKE Olu Ogunnaike is an artist based in London. Recent solo exhibitions include: An enclosed garden, gb agency, Paris (2022); I’d rather stand, Museum Folkwang, Essen (2021); Crumbs, CAPC musée d’art contemporain de Bordeaux (2021); The Same Way You Came In?, Royal Academy of Arts, London (2021); London Plain, Cell Project Space, London (2020). Recent group exhibitions include: Systemic Love, CAPC musée d’art contemporain de Bordeaux (2023); To “the fire next time”, Villa Arson, Nice (2023); Testament, Goldsmiths CCA, London (2022); Domestic Drama, HALLE FÜR KUNST Steiermark, Graz (2021); Reconfigured, Timothy Taylor, New York (2021).

The RPS International Photography Exhibition (IPE) is the world’s longest-running photography exhibition. Now in its 165th edition, renowned for showcasing a diverse range of contemporary photography from around the world. The International Photography Exhibition 165 explores themes such as environmental issues, identity, community, dementia or grief in their work, showing how contemporary photographers are engaging with and capturing aspects of the world that are not only visually compelling but also socially and culturally significant. Each edition of the International Photography Exhibition invites a guest selection panel of leading voices in photography, bringing an exciting mix of expertise in photography as artists, curators,editors, and commentators. This year, for the IPE 165, the selection panel consisted of Àsìkò, a Nigerian visual-artist currently exhibiting at the Gagosian Gallery in London; Louise Fedotov-Clements, Director of Photoworks and CoFounder of FORMAT Festival; Siqi Li, a Chinese visual-artist based in London and previous winner of the IPE 164 Under 30’s award; Raquel Villar-Pérez, Curator at the Impressions Gallery and Dr Michael Pritchard, photographic historian, researcher, writer, and lecturer.

A moving image commission by Dan Guthrie exploring the potential for the ‘radical un-conservation’ of the Blackboy Clock; an item of contested heritage in Guthrie’s hometown of Stroud.

The exhibition fills three rooms at the club, and is open Monday – Sunday, 7am – 9pm weekdays and 8am – 4pm weekends. If you are interested in coming, you’re welcome to email sophie.yardley@thesquareclub.com to register your visit in advance.

Scheduled to take place at the iconic Memorial Stadium in Bristol, the highly anticipated sports event featuring Bristol Rovers v Shrewsbury Town is set to kick off on April 1, 2024. This thrilling matchup between the two formidable teams promises to deliver an action-packed and exciting experience for all sports enthusiasts. The clash between Bristol Rovers and Shrewsbury Town is a must-see event for fans looking to witness top-tier football competition in a vibrant and energetic atmosphere. The Memorial Stadium, located at Filton Ave, Bristol BS7 0BF, UK, is the perfect venue for this showdown of skill, determination, and sportsmanship. Whether you're a die-hard supporter of Bristol Rovers or rooting for Shrewsbury Town, this game guarantees to keep you on the edge of your seat from start to finish. Don't miss out on the opportunity to be part of this electrifying event that will surely leave a lasting impression on all spectators.

Experience a captivating evening with renowned science-fiction authors Adrian Tchaikovsky, Lauren Beukes, and Gareth L. Powell at St Stephen's Church in Bristol on April 2, 2024. Immerse yourself in the world of speculative fiction as these award-winning authors discuss their latest works, including "Alien Clay" by Adrian Tchaikovsky and "Bridge" by Lauren Beukes. Delve into the unknown with Professor Arton Daghdev on the distant world of Kiln, where a thrilling adventure awaits amidst alien ruins and a chaotic ecosystem. Follow Bridge's quest to uncover her mother's enigmatic secret, navigating through other realities and facing dangerous adversaries along the way. Don't miss this opportunity to engage with these acclaimed authors and explore the depths of science fiction. Tickets for this exclusive event are priced at £8, with doors opening at 6:00 PM and the program commencing promptly at 6:30 PM. Secure your seat for an unforgettable evening of imagination and discovery.

The Association for Art History will be celebrating its 50th anniversary in 2024 with a special event in collaboration with the History of Art department at the University of Bristol. The 50th Annual Conference, known as the Association for Art History Annual Conference 2024, will bring together scholars and professionals from around the world to engage in critical debates and discussions about art history and visual culture. This prestigious conference is a key event in the art history community, providing an opportunity to stay informed about the latest research, hear from influential keynote speakers, expand professional networks, and exchange ideas. The conference is open to all individuals, whether they are members of the Association for Art History or not. The conference will take place from April 3rd to April 5th, 2024, at the University of Bristol's Faculty of Arts, located at 9 Woodland Road, Bristol, BS8 1TB. Attendees can expect a comprehensive schedule with various sessions and papers, details of which will be regularly updated on the official Association for Art History website. For those interested in attending the Annual Conference, tickets will be available for purchase at a range of prices, from £30 to £345. For any inquiries regarding bookings or general conference questions, please contact conference24@forarthistory.org.uk. Don't miss this opportunity to be part of the Association for Art History Annual Conference 2024 in Bristol, where international scholars and professionals gather to explore the fascinating world of art history and visual culture. Join us at this significant event in the art history calendar.

Attend the upcoming "Transforming Assessment in Art History" workshop in Bristol at the University of Bristol, School of Humanities, Arts Complex, on April 3, 2024. Led by Samuel Raybone, Emma Barker, and James Boaden, this interactive session will delve into the significance of authentic assessment in academia. Participants will explore the concept of authentic assessment, its design, and delivery, as well as methods for evaluating authentic assessment tasks. This workshop aims to enhance attendees' understanding of authentic assessment practices and their application in the field of art history. Admission to this enlightening event is free of charge.