Featured Events in Barcelona in February 2025 (April Updated)

The exhibition Pleas of Resistance traverses more than twenty-five years of practice by the artist Carlos Motta, who consistently engages with the body and sexual dissidence as a terrain of experimentation and political contestation. His early explorations of photographic self-portraiture are shown alongside his most recent performances and video installations. The exhibition explores the magnitude of Motta’s artistic research and its implacable rigor in relation to the archive, interrogating its violence, its silencing and its desires. Motta’s work challenges the imposition of Eurocentric epistemologies – from the time of the conquest and colonial period in the Americas to the present day – and considers the legacy of religion as a perpetrator and disturbing vehicle of coloniality.

The exhibition Pleas of Resistance traverses more than twenty-five years of practice by the artist Carlos Motta, who consistently engages with the body and sexual dissidence as a terrain of experimentation and political contestation. His early explorations of photographic self-portraiture are shown alongside his most recent performances and video installations. The exhibition explores the magnitude of Motta’s artistic research and its implacable rigor in relation to the archive, interrogating its violence, its silencing and its desires. Motta’s work challenges the imposition of Eurocentric epistemologies – from the time of the conquest and colonial period in the Americas to the present day – and considers the legacy of religion as a perpetrator and disturbing vehicle of coloniality.

A group exhibition that aims to reverse the dramaturgy of the museum by putting the artwork at the centre so we can address its will, its energy and its poetic intention. What would happen if we separated the artwork from the museographic context that surrounds it? Would it be possible to think of museography as a kind of aphasia, a loss of language? Would it be possible to break up the dramaturgy of the museum that guides us in how to move through its spaces, how to register the artistic experiences they offer us, and how to apprehend the sensations that emanate from them? If we assumed that this shift were possible, what other meanings might arise, allowing us to interpret the work in a different way, and also to reinvent the museum as an institution? If that were within the realm of possibility, could we respond directly to the will of the work, to its energy and desire, to its ‘poetic intention’? Martinican poet and philosopher Édouard Glissant states that the poem must never deny the “way of the world”: can the museum put the work of art and the ways in which it reflects the world at the centre of everything?

A group exhibition that aims to reverse the dramaturgy of the museum by putting the artwork at the centre so we can address its will, its energy and its poetic intention. What would happen if we separated the artwork from the museographic context that surrounds it? Would it be possible to think of museography as a kind of aphasia, a loss of language? Would it be possible to break up the dramaturgy of the museum that guides us in how to move through its spaces, how to register the artistic experiences they offer us, and how to apprehend the sensations that emanate from them? If we assumed that this shift were possible, what other meanings might arise, allowing us to interpret the work in a different way, and also to reinvent the museum as an institution? If that were within the realm of possibility, could we respond directly to the will of the work, to its energy and desire, to its ‘poetic intention’? Martinican poet and philosopher Édouard Glissant states that the poem must never deny the “way of the world”: can the museum put the work of art and the ways in which it reflects the world at the centre of everything?

The creation of Joan Miró would not be properly understood without the large number of drawings, sketches, annotations and preliminary studies that he kept over the years. Miró's methodical character finds in the drawing an ideal instrument, always within reach, that allows him to retain embryonic ideas and visualize them. In some cases the works are faithful transpositions of preparatory drawings, with references to colors, measurements, the title or the technique. However, support is not always a conventional role. Sometimes an ad stimulates irony or a newspaper article provides a context or set to figures and signs, evoking how distressing or desolate the representation might be. Other times it's just a snippet to set up a fleeting mental connection. The support never disguises what it is: a ticket, a sheet of an agenda or a calendar, the back of a typed letter or the closing of an envelope. Then Miró's manual dating contradicts the printed date on the page torn from the agenda, the typed text that translutes claims to be read and the envelope leaves its folds intersecting.

A group exhibition that aims to reverse the dramaturgy of the museum by putting the artwork at the centre so we can address its will, its energy and its poetic intention. What would happen if we separated the artwork from the museographic context that surrounds it? Would it be possible to think of museography as a kind of aphasia, a loss of language? Would it be possible to break up the dramaturgy of the museum that guides us in how to move through its spaces, how to register the artistic experiences they offer us, and how to apprehend the sensations that emanate from them? If we assumed that this shift were possible, what other meanings might arise, allowing us to interpret the work in a different way, and also to reinvent the museum as an institution? If that were within the realm of possibility, could we respond directly to the will of the work, to its energy and desire, to its ‘poetic intention’? Martinican poet and philosopher Édouard Glissant states that the poem must never deny the “way of the world”: can the museum put the work of art and the ways in which it reflects the world at the centre of everything?

The collection of paintings, drawings, sculptures, and works on paper on display at the Fundació is one of the most comprehensive collections of Joan Miró's works and provides a comprehensive overview of all stages of his life and artistic chronology. Through a series of areas, visitors can explore the work and highly personal language of one of the most influential artists of the 20th century. These thematic areas illustrate key concepts in Miró's thought and work and demonstrate the artist's desire to transcend conventional painting. Due to their artistic and poetic significance, the paintings associated with Surrealism and the works depicting the Spanish Civil War deserve special attention. Also noteworthy are the large canvases he created from the 1960s onward, characterized by their broad fields of color and liberated gestures. The works that currently make up the Joan Miró Collection come from the donation made by the artist himself at the time of the museum's opening in 1975. Over the years, donations and deposits have been added from his wife, Pilar Juncosa, his friend and cultural activist Joan Prats, various members of the Miró family, and other public and private collections.

The collection of paintings, drawings, sculptures, and works on paper on display at the Fundació is one of the most comprehensive collections of Joan Miró's works and provides a comprehensive overview of all stages of his life and artistic chronology. Through a series of areas, visitors can explore the work and highly personal language of one of the most influential artists of the 20th century. These thematic areas illustrate key concepts in Miró's thought and work and demonstrate the artist's desire to transcend conventional painting. Due to their artistic and poetic significance, the paintings associated with Surrealism and the works depicting the Spanish Civil War deserve special attention. Also noteworthy are the large canvases he created from the 1960s onward, characterized by their broad fields of color and liberated gestures. The works that currently make up the Joan Miró Collection come from the donation made by the artist himself at the time of the museum's opening in 1975. Over the years, donations and deposits have been added from his wife, Pilar Juncosa, his friend and cultural activist Joan Prats, various members of the Miró family, and other public and private collections.

The collection of paintings, drawings, sculptures, and works on paper on display at the Fundació is one of the most comprehensive collections of Joan Miró's works and provides a comprehensive overview of all stages of his life and artistic chronology. Through a series of areas, visitors can explore the work and highly personal language of one of the most influential artists of the 20th century. These thematic areas illustrate key concepts in Miró's thought and work and demonstrate the artist's desire to transcend conventional painting. Due to their artistic and poetic significance, the paintings associated with Surrealism and the works depicting the Spanish Civil War deserve special attention. Also noteworthy are the large canvases he created from the 1960s onward, characterized by their broad fields of color and liberated gestures. The works that currently make up the Joan Miró Collection come from the donation made by the artist himself at the time of the museum's opening in 1975. Over the years, donations and deposits have been added from his wife, Pilar Juncosa, his friend and cultural activist Joan Prats, various members of the Miró family, and other public and private collections.

Malaysian visual anthropologist Weiyan Low is interested in the intersection of technology and everyday materialism. In his fieldwork, Low collaborated with Rumah Kosong, a local film collective, on a documentary about the Kelantan Match Factory. Founded in 1933 and staffed by a predominantly female workforce, it is the last functioning match factory in Malaysia. The memories of the workforce paint a story of productive decline and aging that contrasts with, and also fits with, the careful maintenance of the machinery and the bond that the workers feel for their work. The humble matchstick, a functional object evocative of bygone customs that increasingly has fewer users, has become a symbol of its resistance to obsolescence.

Malaysian visual anthropologist Weiyan Low is interested in the intersection of technology and everyday materialism. In his fieldwork, Low collaborated with Rumah Kosong, a local film collective, on a documentary about the Kelantan Match Factory. Founded in 1933 and staffed by a predominantly female workforce, it is the last functioning match factory in Malaysia. The memories of the workforce paint a story of productive decline and aging that contrasts with, and also fits with, the careful maintenance of the machinery and the bond that the workers feel for their work. The humble matchstick, a functional object evocative of bygone customs that increasingly has fewer users, has become a symbol of its resistance to obsolescence.

The creation of Joan Miró would not be properly understood without the large number of drawings, sketches, annotations and preliminary studies that he kept over the years. Miró's methodical character finds in the drawing an ideal instrument, always within reach, that allows him to retain embryonic ideas and visualize them. In some cases the works are faithful transpositions of preparatory drawings, with references to colors, measurements, the title or the technique. However, support is not always a conventional role. Sometimes an ad stimulates irony or a newspaper article provides a context or set to figures and signs, evoking how distressing or desolate the representation might be. Other times it's just a snippet to set up a fleeting mental connection. The support never disguises what it is: a ticket, a sheet of an agenda or a calendar, the back of a typed letter or the closing of an envelope. Then Miró's manual dating contradicts the printed date on the page torn from the agenda, the typed text that translutes claims to be read and the envelope leaves its folds intersecting.

A group exhibition that aims to reverse the dramaturgy of the museum by putting the artwork at the centre so we can address its will, its energy and its poetic intention. What would happen if we separated the artwork from the museographic context that surrounds it? Would it be possible to think of museography as a kind of aphasia, a loss of language? Would it be possible to break up the dramaturgy of the museum that guides us in how to move through its spaces, how to register the artistic experiences they offer us, and how to apprehend the sensations that emanate from them? If we assumed that this shift were possible, what other meanings might arise, allowing us to interpret the work in a different way, and also to reinvent the museum as an institution? If that were within the realm of possibility, could we respond directly to the will of the work, to its energy and desire, to its ‘poetic intention’? Martinican poet and philosopher Édouard Glissant states that the poem must never deny the “way of the world”: can the museum put the work of art and the ways in which it reflects the world at the centre of everything?

The exhibition Pleas of Resistance traverses more than twenty-five years of practice by the artist Carlos Motta, who consistently engages with the body and sexual dissidence as a terrain of experimentation and political contestation. His early explorations of photographic self-portraiture are shown alongside his most recent performances and video installations. The exhibition explores the magnitude of Motta’s artistic research and its implacable rigor in relation to the archive, interrogating its violence, its silencing and its desires. Motta’s work challenges the imposition of Eurocentric epistemologies – from the time of the conquest and colonial period in the Americas to the present day – and considers the legacy of religion as a perpetrator and disturbing vehicle of coloniality.

To close the celebration of the forty-five years of spaces 10 and 13, and as an introduction to the commemorative exhibition of the fifty years of the Fundació Joan Miró, we will present three rebuildings of outstanding exhibitions of young female artists from the 1970s and 1980s. We have selected, in chronological order, three representative projects of the Fina Miralles exhibitions (1979), Susana Solano (1980) and Eva Lootz (1986). Between two courtyards refers to the architectural characteristics of the old Espai 10 of the Fundació Miró. Becoming today in the gift shop, the Espai 10 was a diaphanous room with large windows on both sides that overlook the Patio del Olivo and the Patio del Algarrobo.

To close the celebration of the forty-five years of spaces 10 and 13, and as an introduction to the commemorative exhibition of the fifty years of the Fundació Joan Miró, we will present three rebuildings of outstanding exhibitions of young female artists from the 1970s and 1980s. We have selected, in chronological order, three representative projects of the Fina Miralles exhibitions (1979), Susana Solano (1980) and Eva Lootz (1986). Between two courtyards refers to the architectural characteristics of the old Espai 10 of the Fundació Miró. Becoming today in the gift shop, the Espai 10 was a diaphanous room with large windows on both sides that overlook the Patio del Olivo and the Patio del Algarrobo.

Barcelona Carnival is a traditional festival in Catalonia, Spain, known for its exaggerated costumes, street parades, music and dance, and community activities. The theme of 2025 is "Cosmic Carnival", which breaks the boundaries of the earth with unrestrained creativity and takes you to an immersive experience of interstellar carnival! The event will last from Shrove Thursday (2.27) to Ash Wednesday (3.5), and the whole city will be transformed into a fantasy stage. If you miss it, you will have to wait for a year! - Opening Carnival: Arribo Parade Performance Time: February 27, 17:15 Location: Sants District (Plaza de Bonet i Muixí, Cotxeres de Sants Auditorium) This year, Arribo is not only an "arrival", but also a "departure"! The Queen plans to use a rocket to bring the spirit of carnival to space, and you can also see the secretly built "interstellar spaceship" on the scene, which is full of science fiction! Community Carnival: Special activities in each district Omelet competition: Raval District (February 27, 17:30), Sant Martí District (March 1, 19:00), etc. Costume party: Gràcia District (March 1, 20:30), Sant Andreu District (March 1, 21:30), etc. Farewell feast: Sardine funeral Time: March 5 Location: Barceloneta Beach, Sants neighborhood, etc. On Ash Wednesday, the whole city staged a "Sardine funeral" parade to mourn the end of Carnival.

Barcelona Carnival is a traditional festival in Catalonia, Spain, known for its exaggerated costumes, street parades, music and dance, and community activities. The theme of 2025 is "Cosmic Carnival", which breaks the boundaries of the earth with unrestrained creativity and takes you to an immersive experience of interstellar carnival! The event will last from Shrove Thursday (2.27) to Ash Wednesday (3.5), and the whole city will be transformed into a fantasy stage. If you miss it, you will have to wait for a year! - Opening Carnival: Arribo Parade Performance Time: February 27, 17:15 Location: Sants District (Plaza de Bonet i Muixí, Cotxeres de Sants Auditorium) This year, Arribo is not only an "arrival", but also a "departure"! The Queen plans to use a rocket to bring the spirit of carnival to space, and you can also see the secretly built "interstellar spaceship" on the scene, which is full of science fiction! Community Carnival: Special activities in each district Omelet competition: Raval District (February 27, 17:30), Sant Martí District (March 1, 19:00), etc. Costume party: Gràcia District (March 1, 20:30), Sant Andreu District (March 1, 21:30), etc. Farewell feast: Sardine funeral Time: March 5 Location: Barceloneta Beach, Sants neighborhood, etc. On Ash Wednesday, the whole city staged a "Sardine funeral" parade to mourn the end of Carnival.

Barcelona Carnival is a traditional festival in Catalonia, Spain, known for its exaggerated costumes, street parades, music and dance, and community activities. The theme of 2025 is "Cosmic Carnival", which breaks the boundaries of the earth with unrestrained creativity and takes you to an immersive experience of interstellar carnival! The event will last from Shrove Thursday (2.27) to Ash Wednesday (3.5), and the whole city will be transformed into a fantasy stage. If you miss it, you will have to wait for a year! - Opening Carnival: Arribo Parade Performance Time: February 27, 17:15 Location: Sants District (Plaza de Bonet i Muixí, Cotxeres de Sants Auditorium) This year, Arribo is not only an "arrival", but also a "departure"! The Queen plans to use a rocket to bring the spirit of carnival to space, and you can also see the secretly built "interstellar spaceship" on the scene, which is full of science fiction! Community Carnival: Special activities in each district Omelet competition: Raval District (February 27, 17:30), Sant Martí District (March 1, 19:00), etc. Costume party: Gràcia District (March 1, 20:30), Sant Andreu District (March 1, 21:30), etc. Farewell feast: Sardine funeral Time: March 5 Location: Barceloneta Beach, Sants neighborhood, etc. On Ash Wednesday, the whole city staged a "Sardine funeral" parade to mourn the end of Carnival.

Barcelona Carnival is a traditional festival in Catalonia, Spain, known for its exaggerated costumes, street parades, music and dance, and community activities. The theme of 2025 is "Cosmic Carnival", which breaks the boundaries of the earth with unrestrained creativity and takes you to an immersive experience of interstellar carnival! The event will last from Shrove Thursday (2.27) to Ash Wednesday (3.5), and the whole city will be transformed into a fantasy stage. If you miss it, you will have to wait for a year! - Opening Carnival: Arribo Parade Performance Time: February 27, 17:15 Location: Sants District (Plaza de Bonet i Muixí, Cotxeres de Sants Auditorium) This year, Arribo is not only an "arrival", but also a "departure"! The Queen plans to use a rocket to bring the spirit of carnival to space, and you can also see the secretly built "interstellar spaceship" on the scene, which is full of science fiction! Community Carnival: Special activities in each district Omelet competition: Raval District (February 27, 17:30), Sant Martí District (March 1, 19:00), etc. Costume party: Gràcia District (March 1, 20:30), Sant Andreu District (March 1, 21:30), etc. Farewell feast: Sardine funeral Time: March 5 Location: Barceloneta Beach, Sants neighborhood, etc. On Ash Wednesday, the whole city staged a "Sardine funeral" parade to mourn the end of Carnival.

COSMOBEAUTY Barcelona will bring together all novelties and trends in the beauty world comprising various disciplines that will be divided into two blocks- a hair, nails COSMOBEAUTY Barcelona will bring together all novelties and trends in the beauty world comprising various disciplines that will be divided into two blocks- a hair, nails and make- up division on the one hand and an aesthetics, aesthetic medicine and healthy life & wellness division on the other hand. COSMOBEAUTY Barcelona 2023 is the global beauty event that brings together during three days the top firms of the professional beauty sector, and the latest trends in Aesthetics, Hairdressing, Nails, Makeup, Aesthetic Medicine and Healthy Life & Wellness. COSMOBEAUTY Barcelona is born from the strategic union between the two most important professional exhibitions in the Spanish Beauty world: Cosmobelleza and STS Beauty Barcelona, a sum of 25 years of experience in the beauty industry that make COSMOBEAUTY the leading fair in our country. Information Source: STS Productions SL | expotobi

[contra]panorama is the second edition of the triennial Panorama. It is intended as an extended exercise that interprets the title of the project literally in order to question both the relevance of the triennial (or biennial) format and its ability to offer a panoramic image of the present.There is a desperate optimism in biennials’ and triennials’ repeated attempts to define the present and plant their flag in the future. Somehow, they are always late to the party. The accelerated pace at which the art system picks up and discards its chosen themes of interest only exacerbates that feeling that everything is getting old prematurely. Now that the future has ceased to be the repository of all the unfulfilled promises of modernity and become instead the source of our planetary anxieties, what is the point of continuing to organise biennials? As an institution that serves to arrange the modern and make it legible, does the museum have any legitimacy left?

The resistance of language and the morphology of speech are two characteristics of the work of Teresa Solar Abboud(Madrid, 1985). Her work is based on a continuous search for multiple concepts presented as enormous sculptural installations that, in recent years, have become more complex through forms related to resistance, hollowness, the body and bone structure. The artist began using drawing and video as her fundamental work tools, but over time her production has come to focus on sculpture, exploring new materials with which she articulates forms that refer to elements related to the organic and lead to a world of metaphors that hint at the flow of currents, voids and the connectivity between orifices and gaps.

*This event is in English* Hey! Queer me out: How about a safe space for our LGBTQIA+ community to chat, play and enjoy improv? A space where we get to be whoever we want on stage and do it in whatever way we want? This is what Queer Me Out is all about. Part jam, part hangout, we lead the way, you show up and watch and/or play! Queer Me Out an LGBTQIA+ only space! If that's not you - sit this one out! 9:30pm Doors & Bar Open - let's chat 10:00pm Jam Starts - let's play! Tickets: 5€ booking online (includes drink) 7€ on the door (includes drink) 30% discount for current students of BIG! Information Source: Barcelona Improv Group | eventbrite

ARTS & BRANDS | ephemeral exhibition Ven a disfrutar e inspirarte en nuesrta próxima edición de ARTS & BRANDS, un evento único donde creadorxs de diferentes disciplinas se unen en un mismo espacio de forma cohesiva. Conoce el trabajo de cada artista a fondo, hazles preguntas e incluso puedes adquirir tu pieza favorita. El sábado contaremos con: Dario Pellegrino (@pellegrino_dario) Indeleble Jewelry (@indeleble.jewelry) Linnéa Ekelöf (@linnea.ekelöf) Felipe Costa (@felipecostaart) y en directo tendremos a @eldjdavidghetto con su nuevo álbum 'Club Imaginario'. ¡Nos vemos allí! Information Source: Hemera Hub | eventbrite

Barcelona! Join us for a night of non-stop hilarities at Ram & Tom a world-class stand up comedy show in English. This show will feature hilarious comedians that you've seen & heard on BBC, BBC Radio, Flagrant Podcast. Ram & Tom have been touring together for the past 2 years having sold out shows in over 20 countries. This duo has rocked the greatest comedy clubs in the world - Comedy Cellar in New York, Comedy Store in London! So you're in for a delightful treat of laughs & banter. Come to the Comedy Clubhouse on 02 February (Sunday) to witness these comedy sensations in action! Reviews for the show: “One of my favorite new acts” - Stand Up New York “The most eye-opening act of Edinburgh Fringe. Hysterically funny! - Pop Break USA “Full of boyish Charm.” Chortle 🎭 STAND-UP COMEDY in ENGLISH 🎭🎟️ The show will be held entirely in English Thomas Henry • @ThomasHenryComedy Winner of ‘New Faces at Broadway Comedy’ and featured in the New York Comedy Festival, Thomas has recently moved back to London after living and performing in New York. He has featured in The Guardian, on the BBC and at some of the most iconic venues including The Comedy Cellar, New York Comedy Club, and The Comedy Store! Thomas is an established international touring act - having performed across the USA, Europe and the UK. His charming, cheeky style has racked up millions of views online. Ram Arangi• @theramarangistory 26 year old Ram Arangi is quickly making waves across the European comedy circuit as a prolific traveling comedian that performs across The Netherlands, United Kingdom, France, Germany, Spain, and Czech Republic. He uses the power of storytelling to unlock humor from unusual places across 5 countries. His comedy special (The Local Tourist) has sold out across Amsterdam, London, Paris, Berlin, and Edinburgh. Here are some reviews about Ram's comedy: The most eye-opening act of Edinburgh Fringe 2022 was Ram Arangi. While his show had a strong sobering message, he managed to have the crowd laughing hysterically with his personal journey. - Pop Break Live USA “Incredibly polished, immediately likeable! Ram dives straight into his storytelling and never lets up. Laughed all the way through” _ _________________________________________________________________________________________________ ⛔️ The show will be held entirely in English. We are only able to have a limited number of tickets. Please reserve a seat in advance. Follow Thomas on Instagram: https://www.instagram.com/thomashenrycomedy/?hl=en Follow Ram on Instagram: https://www.instagram.com/theramarangistory/ #barcelona #tiktok #southasian #desi #indian #bollywood #humorist #indianfood #standupcomedy #barcelonaevents #art #culture #brownculture #englishevents #standupcomedy #funny #jokes #SouthAsianEvent #funnymemes #meme #hilarious #viral #expatevents #meetup #english #indiancomedian #barcelonaweekend barcelona stand-up comedy barcelona top comedy barcelona best standup barcelona standup comedy barcelona english speaking barcelona events barcelona live comedy barcelona live events south asian standup comedy show indian standup comedy show in barcelona desi standup comedy show in barcelona Live Standup Comedy Show in barcelona South Asian Standup Comedy Show in barcelona Best Standup Comedy Show in barcelona Best Comedy Show in barcelona Cheap Comedy Tickets barcelona Standup Comedy Show Comedy Show barcelona Standup Comedy Show barcelona Best Standup Comedy Show in barcelona THE TOP 10 barcelona Comedy Shows THE KING'S JESTER Hasan Minhaj Aziz Ansari Russell Peters The Best Standup Comedy Show in barcelona Information Source: Ram Arangi | eventbrite

ARTS & BRANDS | ephemeral exhibition Ven a disfrutar e inspirarte en nuesrta próxima edición de ARTS & BRANDS, un evento único donde creadorxs de diferentes disciplinas se unen en un mismo espacio de forma cohesiva. Conoce el trabajo de cada artista a fondo, hazles preguntas e incluso puedes adquirir tu pieza favorita. El domingo contaremos con: Dario Pellegrino (@pellegrino_dario) Indeleble Jewelry (@indeleble.jewelry) Linnéa Ekelöf (@linnea.ekelöf) Felipe Costa (@felipecostaart) Thilli Art (@thilli.art) y en directo tendremos a @eldjdavidghetto con su nuevo álbum 'Club Imaginario'. ¡Nos vemos allí! Information Source: Hemera Hub | eventbrite

Hola chic@s de Barcelona y alrededores. Os invitamos el próximo domingo 2 de febrero 2025 a un evento muy especial. Nuestra BIKE24 Social Ride de gravel que incluye una degustación de vinos en la Bodega Finca Batllori. La salida la iniciaremos en la plaça Ildefons Cerdà, en Barcelona, recorriendo el Río Llobregat, cruzando por el famoso Puente del Diablo, atravesando la zona de viñedos del Penedés hasta llegar a la Finca Batllori, donde habremos pedaleado 51,5 kms. Una vez lleguemos a la Finca Batllori tendremos preparado un pequeño tour que dura aproximadamente 1 hora incluyendo una degustación de vinos, o mosto (para los que no bebáis alcohol). Además, como ya es habitual, tendremos avituallamiento líquido y sólido. ¡¡¡El evento es gratuito!!! Reserva tu cupo ya que las plazas son limitadas. Opción B: Para aquellos que necesiteis regresar mas temprano a Barcelona podreís regresar en Tren Cercanias, linea R4 en Sant Sadurni d` Anoia, o R5 en Martorell. INFORMACION: Distancia: 102km D+770m La ruta: GPS Track de Komoot (Link Track) Tiempo aproximado: 2h50 ida + 1 h visita bodega + 2 h regreso Ritmo: Social Pace (Z2, chino chano..) Punto de encuentro: Plaza Idefonso Cerd´``a (Google maps) Hora de salida: 9 AM. Síguenos en nuestra cuenta de Instagram para mantenerte informado: IG @bike24.es ¡Animaros! Equipo de BIKE24 ----------------------------------------------------------- Condiciones de participación Al registrase en el evento, el participante acepta las condiciones de participación en vigor. La participación en el evento es bajo su propio riesgo. 1.Responsabilidad del participante por su persona El participante es consciente de que su participación en este evento conlleva riesgos que pueden materializarse incluso si realiza un ejercicio adecuado (por ejemplo, montando en bicicleta). El participante confirma y acepta que es responsable de determinar si está lo suficientemente en forma física y mental para participar en este evento sin ninguna preocupación. Además, confirma que ningún médico o institución comparable le ha desaconsejado participar en el evento. El participante es responsable de su estilo de conducción y de inscribirse en un grupo apropiado para su capacidad de conducción. Además, el participante es el único responsable de sus pertenencias y equipo personales y de asegurarse de que cumplan con los requisitos del evento. 2. Exclusión de responsabilidad El organizador no será responsable de los daños que no sean consecuencia de lesiones a la vida, la integridad física o la salud, a menos que se deban a un incumplimiento doloso o por negligencia grave de sus obligaciones por parte de los representantes legales del organizador o de sus auxiliares ejecutivos. Esta exclusión de responsabilidad se aplicará también a los auxiliares ejecutivos, a los expositores y a las ciudades y municipios. 3. Protección de datos Los datos personales que recibimos de usted en el marco de su inscripción serán almacenados por nosotros y procesados ​​exclusivamente para los fines de la organización y el procesamiento de este evento (incluido cualquier préstamo de equipo de alquiler durante el evento) de conformidad con las disposiciones del RGPD. El procesamiento de datos se lleva a cabo a petición suya y es necesario de conformidad con el art. 6, párrafo 1, frase 1, letra b del RGPD para el cumplimiento del contrato de participación (incluido cualquier alquiler) y las medidas precontractuales. En el marco de un contrato de alquiler, sus datos personales pueden transmitirse al expositor correspondiente en la medida en que esto sea necesario para la ejecución y el procesamiento del contrato. Los datos personales recopilados por nosotros en el marco del cumplimiento del contrato serán almacenados por nosotros hasta el vencimiento del plazo de prescripción, siempre que no existan períodos de retención legales o que usted no haya dado su consentimiento para un almacenamiento adicional de conformidad con el art. 6, párrafo 1, frase 1, letra a del RGPD. Derechos de protección de datos: En relación con sus datos personales, usted tiene derecho a acceder a ellos (artículo 15 del RGPD) y, en su caso, a rectificarlos (artículo 16 del RGPD), bloquearlos (artículo 18 del RGPD), suprimirlos (artículo 17 del RGPD) y revocarlos (artículo 21 del RGPD). Tiene derecho a recibir los datos que nos haya facilitado en un formato estructurado, de uso común y lectura mecánica (artículo 20 del RGPD). Puede hacer valer los derechos antes mencionados en la siguiente dirección: Bike24 GmbH, Breitscheidstraße 40, 01237 Dresde, Alemania, Tel.: + 49 (0)1351-4174970, Fax: +49 (0)351-41749779, datenschutz@bike24.net. Además, sin perjuicio de cualquier otro recurso administrativo o judicial, usted tiene derecho a presentar una reclamación, por ejemplo, ante una autoridad de control, en particular en el Estado miembro en el que tenga su residencia habitual, su lugar de trabajo o el lugar de la supuesta infracción, si considera que el tratamiento de datos personales infringe el RGPD (art. 77 RGPD). 4. Información general El uso del casco es obligatorio en todas las pruebas y por orden del organizador. Está prohibido participar bajo los efectos del alcohol o las drogas. En caso de incumplimiento, el organizador expulsará del evento al participante. Además, el organizador tiene derecho a expulsar del evento a los participantes que no respeten estas condiciones de participación, no sigan las instrucciones del personal del organizador en el lugar o pongan en peligro a otros participantes. En caso de que alguna de las disposiciones de estas condiciones de participación sea inválida, esto no afectará a la validez de las disposiciones restantes. Lugar, Fecha: Barcelona, 2 de Febrero del 2025 Information Source: BIKE24 | eventbrite