Featured Events in Chicago in May 2025 (March Updated)

Post Malone has announced The BIG ASS Stadium Tour with Jelly Roll and Sierra Ferrell (on select dates)! The highly anticipated Post Malone Presents: The BIG ASS Stadium Tour in Chicago will take place at Wrigley Field on 22 May 2025.

Experience the mesmerizing performance of Turnover as they celebrate "10 Years of Peripheral Vision" in Chicago at the prestigious Byline Bank Aragon Ballroom. The event is scheduled to take place on May 28, 2025, at 1106 W Lawrence, IL, 60640. Immerse yourself in the captivating music and talent of this renowned band as they showcase a decade of their iconic album. Don't miss this unforgettable evening filled with nostalgia and musical brilliance.

Experience a heartwarming Mother's Day Celebration at House of Hope in Chicago. Join us on May 9, 2025, at 752 East 114th Street, IL, 60628, for a special event dedicated to honoring and appreciating mothers. This event will be a memorable occasion filled with love, gratitude, and meaningful activities to show your mother how much she means to you. Don't miss this opportunity to celebrate and cherish the incredible mothers in your life at this exclusive event.

Mel Robbins: Let Them the Tour is coming to Chicago at The Chicago Theatre on May 11, 2025. The event promises an insightful and empowering experience for attendees. The Chicago Theatre, located at 175 N State St, IL, 60601, provides a prestigious backdrop for this transformative occasion. Don't miss this opportunity to be inspired by Mel Robbins and learn valuable strategies to take control of your life.

Beyoncé Chicago is set to be an unforgettable event, taking place at the iconic Soldier Field Stadium in Chicago, IL, on May 15, 2025, at 19:00. Fans can expect an electrifying performance by the global superstar, known for her powerful vocals and captivating stage presence. With ticket prices ranging from $76 to $315, this concert offers a range of options for attendees. Soldier Field Stadium, renowned for hosting major events, provides the perfect backdrop for this highly anticipated show. As Beyoncé takes the stage, attendees will experience a night filled with chart-topping hits, stunning visuals, and an atmosphere charged with excitement. This event promises to be a highlight of the year, drawing fans from across the country to witness Beyoncé's unparalleled talent and showmanship.

The Weeknd and Playboi Carti are set to electrify Chicago with an unforgettable performance at Soldier Field Stadium on May 30, 2025, at 7:00 PM. This highly anticipated event promises to be a night of unparalleled musical artistry, blending The Weeknd's soulful melodies with Playboi Carti's dynamic rap stylings. Located at Soldier Field Stadium in Chicago, IL, this iconic venue will provide the perfect backdrop for an evening of top-tier entertainment. Tickets for The Weeknd, Playboi Carti Chicago range from $43 to $185, catering to a wide array of fans eager to experience this unique collaboration. With both artists known for their captivating stage presence and chart-topping hits, attendees can expect a night filled with high-energy performances and memorable moments. This event is poised to be one of the standout concerts of the year, drawing music enthusiasts from all over to witness the magic of The Weeknd and Playboi Carti live in Chicago.

Across three decades, artist and filmmaker Arthur Jafa has developed a singularly dynamic practice comprising films and videos, photographs, and sculptures. Through his multidisciplinary work, Jafa seeks to encompass what he describes as “the full complexity, specificity, beauty, and potentiality of what Black folks have made and continue to make out of the bleak existential circumstance we’ve attended to over the past several hundred years.” Utilizing found imagery, music, and artistic techniques such as montage and collage, he has constructed an extensive assemblage of Black expression, layered and arranged in ways that reveal the diverse and complex realities of Black being.

Across three decades, artist and filmmaker Arthur Jafa has developed a singularly dynamic practice comprising films and videos, photographs, and sculptures. Through his multidisciplinary work, Jafa seeks to encompass what he describes as “the full complexity, specificity, beauty, and potentiality of what Black folks have made and continue to make out of the bleak existential circumstance we’ve attended to over the past several hundred years.” Utilizing found imagery, music, and artistic techniques such as montage and collage, he has constructed an extensive assemblage of Black expression, layered and arranged in ways that reveal the diverse and complex realities of Black being.

Jitish Kallat’s site-specific installation, Public Notice 3, returns to the Art Institute of Chicago’s Grand Staircase this fall after a 14-year hiatus. Initially unveiled on September 11, 2010, the work connects two significant historical events separated by 108 years: the First World’s Parliament of Religions which began on September 11, 1893, and the terrorist attacks on the World Trade Center and the Pentagon on September 11, 2001. At the earlier event, the World Parliament of Religions, held in an auditorium that encompassed the area that today includes both the museum’s Fullerton Hall and Woman’s Board Grand Staircase, a young Hindu monk, Swami Vivekananda electrified audiences with a powerful speech calling for an end to religious fundamentalism, intolerance, and bigotry.

Jitish Kallat’s site-specific installation, Public Notice 3, returns to the Art Institute of Chicago’s Grand Staircase this fall after a 14-year hiatus. Initially unveiled on September 11, 2010, the work connects two significant historical events separated by 108 years: the First World’s Parliament of Religions which began on September 11, 1893, and the terrorist attacks on the World Trade Center and the Pentagon on September 11, 2001. At the earlier event, the World Parliament of Religions, held in an auditorium that encompassed the area that today includes both the museum’s Fullerton Hall and Woman’s Board Grand Staircase, a young Hindu monk, Swami Vivekananda electrified audiences with a powerful speech calling for an end to religious fundamentalism, intolerance, and bigotry.

Descending the Staircase considers novel artistic approaches to representing the human body. Spread across two floors of the museum, the exhibition presents figures of all kinds, from the fragmented, absurd, and surreal to the curated, self-aware, and media savvy. Puppets, masks, and automatons merge bodies with objects, juxtaposing the animate and inanimate, while abstract sculptures evoke the human form through soft and fleshy materials such as nylon, wax, hair, and latex. Elsewhere, artists deploy the living body as a medium, setting it in motion with performance and gesture. Together, these artworks delve into fundamental questions about the human body in the contemporary world, including its relationship to labor and machines, its presentation in advertising and social media, and its role within the everyday domestic sphere.

Descending the Staircase considers novel artistic approaches to representing the human body. Spread across two floors of the museum, the exhibition presents figures of all kinds, from the fragmented, absurd, and surreal to the curated, self-aware, and media savvy. Puppets, masks, and automatons merge bodies with objects, juxtaposing the animate and inanimate, while abstract sculptures evoke the human form through soft and fleshy materials such as nylon, wax, hair, and latex. Elsewhere, artists deploy the living body as a medium, setting it in motion with performance and gesture. Together, these artworks delve into fundamental questions about the human body in the contemporary world, including its relationship to labor and machines, its presentation in advertising and social media, and its role within the everyday domestic sphere.

Renowned multimedia artist Dieter Roth’s preferred form, and the one he spent his lifetime pursuing, was the Gesamtkunstwerk, a German term for “total work of art.” Working across a diverse range of media, disciplines, and creative activities, Roth developed an artistic practice that dissolved the boundaries between art and life, upending traditional categories, hierarchies, and even timeworn notions of singular authorship. Often collaborating with other artists, including his son Björn, Roth produced an ever-expanding body of work that gestured toward the cumulative effects of a life spent making and remaking.

Wafaa Bilal: Indulge Me is the first major survey of internationally renowned artist Wafaa Bilal (b. 1966, Najaf, Iraq; lives in New York, NY). Working in performance, sculpture, and with online and interactive technologies, Bilal’s interdisciplinary practice investigates the dynamic between international and interpersonal politics while highlighting the tension between his home in the United States, which he has deemed the “comfort zone,” and the “conflict zone” of Iraq. The exhibition covers the breadth of Bilal’s versatile career by exploring his performance practice, the use of power in Saddam Hussein’s regime, and Iraqi history and antiquity. It will feature archival displays of his iconic month-long performance Domestic Tension (2007) and year-long performance 3rdi (2010–11), as well as two new works including a sculptural commission for the MCA.

This exhibition focuses on a single artwork by Pipilotti Rist (b. 1962, Grabs, Switzerland; lives and works in Zürich), the 2001 video installation Supersubjektiv. Rist filmed the video footage featured in Supersubjektiv using a handheld digital camera during a month-long trip to Japan in December 2000. The hallucinatory video, presented in the Turner Gallery as a multichannel installation accompanied by sheepskin seating and an artist-made pillow, offers viewers a dream-like space for contemplation and curiosity. Paired with an ambient electronic soundtrack with lyrics sung in English and Japanese, the artwork examines nature, the built environment, and technology with wide-eyed wonder. Visitors are encouraged to relax and lose track of time as they take in Rist’s audiovisual meditation on longing for connection in our vast, globalized society.

The first exhibition ever to focus on the multiple connections between drawing and printmaking, this presentation brings together around 90 works on paper by some of the greatest artists in the Western tradition to uncover the inner workings of their creative process and offer new ways to think about the links between the two mediums. Featuring fascinating drawings and exceptional prints from the late 15th century though the mid-19th century by artists such as Albrecht Dürer, Parmigianino, Rembrandt, Peter Paul Rubens, Maria Sibylla Merian, Francisco Goya, and William Blake, the exhibition explores the creative exchange between the two practices by showcasing preparatory drawings for prints, printed imitations of drawings, and drawn copies of prints. A selection of hybrid works also questions traditional definitions, strict boundaries, and outdated hierarchical distinctions between media.

From large-scale figures of gods and goddesses to portraits of emperors and magnificent funerary monuments, this exhibition brings to North America, for the first time, a selection of 58 rarely seen ancient Roman sculptures from Italy’s storied Torlonia Collection.Nearly half of these sculptures, which range in date from the 5th century BCE to the early 4th century CE, have not been publicly displayed in more than 70 years and have been newly cleaned, conserved, and studied specifically for this exhibition, making for a spectacular opportunity to experience their first public presentation in decades. The Torlonia Collection is not only the largest private collection of Roman marble sculptures in Italy, but it is also arguably the most important of such private collections in the world. Comprising 622 works and a wide range of sculptural types and subjects, its holdings rival those of major institutions in Europe, including the Capitoline and Vatican Museums.

From large-scale figures of gods and goddesses to portraits of emperors and magnificent funerary monuments, this exhibition brings to North America, for the first time, a selection of 58 rarely seen ancient Roman sculptures from Italy’s storied Torlonia Collection.Nearly half of these sculptures, which range in date from the 5th century BCE to the early 4th century CE, have not been publicly displayed in more than 70 years and have been newly cleaned, conserved, and studied specifically for this exhibition, making for a spectacular opportunity to experience their first public presentation in decades. The Torlonia Collection is not only the largest private collection of Roman marble sculptures in Italy, but it is also arguably the most important of such private collections in the world. Comprising 622 works and a wide range of sculptural types and subjects, its holdings rival those of major institutions in Europe, including the Capitoline and Vatican Museums.

The first exhibition ever to focus on the multiple connections between drawing and printmaking, this presentation brings together around 90 works on paper by some of the greatest artists in the Western tradition to uncover the inner workings of their creative process and offer new ways to think about the links between the two mediums. Featuring fascinating drawings and exceptional prints from the late 15th century though the mid-19th century by artists such as Albrecht Dürer, Parmigianino, Rembrandt, Peter Paul Rubens, Maria Sibylla Merian, Francisco Goya, and William Blake, the exhibition explores the creative exchange between the two practices by showcasing preparatory drawings for prints, printed imitations of drawings, and drawn copies of prints. A selection of hybrid works also questions traditional definitions, strict boundaries, and outdated hierarchical distinctions between media.

Unveiling Frida Kahlo’s work for the first time in the Art Institute galleries, this exhibition focuses on the celebrated Mexican artist’s first and only trip to Europe and her brief yet pivotal encounter with Mary Reynolds, an American avant-garde bookbinder who stood at the center of a rich Parisian artistic community. Drawing upon the extensive Mary Reynolds Collection at the Art Institute of Chicago and extraordinary Kahlo loans from public and private collections in the US, Mexico, and Europe, the presentation sheds light on this little-known chapter of 20th-century art history, recounting the legacies of Kahlo and Reynolds—both artists themselves and partners of artists—as they navigated Surrealism, identity, and cross-cultural exchange on the eve of World War II.

Unveiling Frida Kahlo’s work for the first time in the Art Institute galleries, this exhibition focuses on the celebrated Mexican artist’s first and only trip to Europe and her brief yet pivotal encounter with Mary Reynolds, an American avant-garde bookbinder who stood at the center of a rich Parisian artistic community. Drawing upon the extensive Mary Reynolds Collection at the Art Institute of Chicago and extraordinary Kahlo loans from public and private collections in the US, Mexico, and Europe, the presentation sheds light on this little-known chapter of 20th-century art history, recounting the legacies of Kahlo and Reynolds—both artists themselves and partners of artists—as they navigated Surrealism, identity, and cross-cultural exchange on the eve of World War II.

Juliana Góngora Rojas is a Colombian sculptor who engages with organic materials, such as soil, salt, stones, or spider threads. Interested in establishing networks of community and spiritual exchange, Góngora collaborates with artisans, farmers, and Indigenous communities in works that emphasize the importance of ordinary materials and daily actions, as well as the ties that intimately bind human beings with nature.

Juliana Góngora Rojas is a Colombian sculptor who engages with organic materials, such as soil, salt, stones, or spider threads. Interested in establishing networks of community and spiritual exchange, Góngora collaborates with artisans, farmers, and Indigenous communities in works that emphasize the importance of ordinary materials and daily actions, as well as the ties that intimately bind human beings with nature.

Experience the mesmerizing music of Lucy Dacus on her "Forever Is A Feeling Tour" in Chicago at The Chicago Theatre on May 2, 2025. The venue is located at 175 N State St, IL, 60601. Don't miss this opportunity to witness a talented artist perform live in one of the city's most iconic theaters. Get ready for a night filled with unforgettable melodies and captivating lyrics. Join fellow music enthusiasts for an evening that promises to leave a lasting impression.

Experience the soulful sounds of R&B at the highly-anticipated R&B INVITATION TOUR in Chicago. Taking place at the prestigious Arie Crown Theater on May 2, 2025, this event promises a night filled with smooth melodies and captivating performances. Located at 2301 Lake Shore Dr At McCormick PL, Chicago, IL, 60616, the venue provides the perfect setting for an unforgettable evening of music. Don't miss out on this opportunity to immerse yourself in the world of R&B with top artists and a passionate crowd.

Iman Issa’s Heritage Studies are displays based on historical artifacts, which attempt to communicate their significance to the present moment. In her process, the objects are altered: Issa changes their materials, scale, and color to a degree that the resemblance between the historic artifact and Issa’s work can be difficult to discern. Despite these dissimilarities, the artist insists on the equivalence of these objects, almost like the equivalence between a photograph and its subject.

Iman Issa’s Heritage Studies are displays based on historical artifacts, which attempt to communicate their significance to the present moment. In her process, the objects are altered: Issa changes their materials, scale, and color to a degree that the resemblance between the historic artifact and Issa’s work can be difficult to discern. Despite these dissimilarities, the artist insists on the equivalence of these objects, almost like the equivalence between a photograph and its subject.

Paul Pfeiffer: Prologue to the Story of the Birth of Freedom presents 25 years of work from artist Paul Pfeiffer (b. 1966, Honolulu, HI; lives in New York, NY), whose practice interrogates ideas of spectacle and mass culture. By repurposing the tools and systems of media production—including editing, staging, and outsourcing—Pfeiffer recontextualizes global celebrities such as pop stars, film actors, and athletes to reveal relationships between audiences and athletes. icons. As the artist puts it, “who’s using who? Is the image making us, or do we make images?”