Popular Events in 2024(March Updated)

DIMENSIONS OF SOUND - MUSICAL JOURNEY THROUGH SPACE AND TIME “The ear lies nearest to the human soul.” (Johann Gottfried Herder, „Kritische Wälder”, 1769 ) The House of Music, Hungary is a tree of life in the heart of Városliget, with a trunk, and a crown of golden leaves on slender branches. We are standing here by its roots, which provide the institution with its spiritual sustenance. The roots are entwined, like a labyrinth, and we walk among them. Our journey begins far back in time and space, back at the birth of music itself where we can grasp the roots of Hungarian folk music and European music. Progressing through the centuries, we will follow the development of music, discovering what a series of organised tones has meant to mankind, with the emphasis on Hungarians in the light—or sometimes the shadow—of Europe. Through the language of music, the exhibition speaks for itself: Everywhere we go, we hear music playing; the subject of the exhibition is music itself. Quoting Shakespeare, we might say, “Mark the music!” Mark not only the music coming from the headphones, but also the music around and within you. When you reach the end of the path, the modern day, many sounds will have been etched into your heart and mind: music to take home with you, the music of ancient times.

Artists such as Pablo Picasso, Edgar Degas, Francis Bacon, Leonora Carrington, Jean Arp, Henry Moore, Lucie Rie, Alberto Giacometti, Sonia Delaunay and Amedeo Modigliani are displayed alongside major holdings of art from Oceania, Africa, the Americas, and Asia, the ancient Mediterranean, classical cultures of Egypt, Greece and Rome, and Medieval Europe. Join one of our volunteer guides for a FREE introductory tour of the Sainsbury Collection. These run from Tuesday-Sunday at 2pm, subject to availability. Limited to 15 people, places must be booked at the Visitor Services desk.

LOGOS _____ ἐν ἀρχῇ ἦν ὁ ΛΟΓΟΣ (en arxh ein o LOGOS) Κατὰ Ιωάννην 1.1 What once stood for the reason, the initial cause, is now comically reduced to corporate trademarks - shiny brand names of vulgar affordable or fetishized banality.In a futile effort to subvert, reroute and reinstitute LOGOS to his former essence, we install images of beauty, poetry and personal value in the rural wilderness, where the corporeal pillars of goddess Hestia still stand unnoticed and only the lost now wander. _____ 7 artworks installed in various exterior locations in and around the city of Preveza, Greece. Marking the winter solstice. Set to remain on display for an unspecified period of time, exposed to the (un)favorable touch of natural and human intervention. Produced & curated by Θ Η Ε Λ Α

Newark, NJ – March 9, 2023 — Mayor Ras J. Baraka was joined by First Lady Tammy Murphy, State Senate Majority Leader M. Teresa Ruiz, and numerous other dignitaries today to unveil a new monument honoring Harriet Tubman and pay homage to the city’s role in the Underground Railroad along with the Black liberation movement’s rich history in the area. The ceremony also observed Harriet Tubman Day, which is tomorrow. The monument stands in Harriet Tubman Square, at the intersection of Washington and Broad Streets, in downtown Newark.

This exhibition offers a new, revealing look at the world-class Portland Collection of art. The museum will be filled to the brim with fascinating art and objects, a giant cabinet of curiosities. There will be silver and tapestry, paintings and jewels; art that has come home after a long loan to a prestigious national gallery, and stunning star items that visitors know and love – such as Michelangelo’s ‘Madonna of Silence’ or the pearl earring worn by Charles I at his execution. A highlight of the display is a Picture Gallery, stacked with Tudor and Jacobean portraits – many of which have never been seen publicly before.

Embark on a Jawsome Adventure with Live Sharks, Ancient Behemoths, and Fascinating Shark Facts We’re gonna need a bigger exhibit hall. Debuting on a floor all to itself is Sharks! The Meg, The Monsters & The Myths. We’re making your dreams come true and bringing you up close and personal with live sharks for a hands-on experience that will be – dare we say – jawsome. You’ll get a chance to touch a shark and discover what makes these creatures unique – from bait balls to bioluminescence. Further immerse yourself in the world of sharks as every order of shark known to mankind is represented within the exhibition, including a life-size model of the ancient behemoth, the Megalodon. And don’t forget to pick up a few Megalodon teeth of your own in the island shop. Don’t miss out on the frenzy and purchase your tickets today!

LAS Art Foundation is pleased to present Pollinator Pathmaker, a living artwork and participatory project conceived by artist Alexandra Daisy Ginsberg. This impactful initiative in interspecies art uses algorithmic technology to generate planting schemes for gardens, computed to support the greatest diversity of pollinating insects possible. It signals a shift toward the post-anthropocentric thinking necessary to face the current climate and biodiversity crises, and toward the non-human aesthetics and experimental formats that pave the way. Ambitious and future-minded, it is exemplary of how art can act as a driver for change, and offer new perspectives on our shared planet. Growing in the forecourt of the Museum für Naturkunde Berlin, the LAS- commissioned garden will be the first edition outside of the UK. LAS has committed to amplifying Pollinator Pathmaker’s impact by undertaking an extensive public campaign, which calls upon local communities, hobby gardeners and activists to get involved in pollinator protection by planting their own version of the artwork – what the artist refers to as DIY Editions – via Ginsberg’s free online tool: www.pollinator.art. Responding to the alarming decline in pollinator populations in recent decades, Ginsberg has worked with horticulturalists, pollinator experts and an AI scientist to devise an algorithmic tool that designs bespoke gardens for pollinating insects. Supported by the Museum für Naturkunde Berlin, the LAS Edition will be customised for Continental Europe, and will feature more than 7,000 plants of 80 different varieties, planted over a 722-square-metre plot.

A Traveler’s Guide to Mettlach: Villeroy and Boch showcases everyday life in the 1800s Mettlach, Germany. Scenes of everyday life in Mettlach have been documented and celebrated by Villeroy and Boch, a ceramic production company founded in 1836 when Jean François Boch and Nicolas Villeroy merged their ceramic businesses into what is now known as Villeroy and Boch. The workers of the Mettlach factory came from diverse backgrounds, including art studios, archives, and museums. The varied backgrounds of the factory workers contributed to the artistic achievements of the Villeroy and Boch company. The Mettlach collection reflects German cultural experiences, societal interpretations, and mythology. This exhibition shows scenes of love and relationships as well as larger themes of fantasy, offering an all-encompassing snapshot of the myriad facets of human life within Mettlach. A Traveler’s Guide to Mettlach, on view in the Robert and Colette Wilson Gallery through June 2025, presents concepts of life, laughter, relationships, and the day-to-day existence of the German people.

A Traveler’s Guide to Mettlach: Villeroy and Boch showcases everyday life in the 1800s Mettlach, Germany. Scenes of everyday life in Mettlach have been documented and celebrated by Villeroy and Boch, a ceramic production company founded in 1836 when Jean François Boch and Nicolas Villeroy merged their ceramic businesses into what is now known as Villeroy and Boch. The workers of the Mettlach factory came from diverse backgrounds, including art studios, archives, and museums. The varied backgrounds of the factory workers contributed to the artistic achievements of the Villeroy and Boch company. The Mettlach collection reflects German cultural experiences, societal interpretations, and mythology. This exhibition shows scenes of love and relationships as well as larger themes of fantasy, offering an all-encompassing snapshot of the myriad facets of human life within Mettlach. A Traveler’s Guide to Mettlach, on view in the Robert and Colette Wilson Gallery through June 2025, presents concepts of life, laughter, relationships, and the day-to-day existence of the German people.

How do elephants “hear” with their feet? Use the 40,000 muscles in their trunks? Or reshape the forests and savannas they live in, creating an environment upon which many other species rely? The Secret World of Elephants reveals new science about both ancient and modern elephants, including elephants’ extraordinary minds and senses, why they’re essential to the health of their ecosystems, and inspiring efforts to overcome threats to their survival.

How do elephants “hear” with their feet? Use the 40,000 muscles in their trunks? Or reshape the forests and savannas they live in, creating an environment upon which many other species rely? The Secret World of Elephants reveals new science about both ancient and modern elephants, including elephants’ extraordinary minds and senses, why they’re essential to the health of their ecosystems, and inspiring efforts to overcome threats to their survival.

The "Reflections & Inspirations from Emirati Heritage" exhibition is the result of a collaboration between Sharjah Heritage Museum and University of Sharjah's College of Fine Arts and Design. The exhibition includes 54 artworks that shed light on students' interpretations of Emirati heritage, created with a variety of materials and ideas to express the students' feelings and thoughts about heritage design elements and inscriptions. The works were overseen by a number of distinguished professors from the College of Fine Arts and Design, representing various artistic disciplines. The exhibition aims to help students understand heritage concepts, form a unique perception of tangible and intangible heritage elements, and creatively translate this perception through artistic works that reflect the heritage character.

Egypt’s 26th Dynasty (664–526 BCE) was a period of revival and renewal. It marks the last great phase of native pharaonic rule in ancient Egypt and is notable for its exceptional artworks, particularly stone sculpture. The achievements of Egyptian artists of this period are vividly expressed in the sculpted portraits of officials associated with the court and priesthood, which were created to be displayed in tombs and temples. The works in this exhibition are on special loan from the British Museum, London.

The Louvre’s Department of Near Eastern Antiquities is hosting ten major works from New York’s Metropolitan Museum of Art, whose Department of Ancient Near Eastern Art is currently closed for renovation. The Louvre and The Met have created a unique dialogue between these two collections, which is displayed in the Louvre’s permanent galleries. These ‘special guest’ artworks from The Met, dating from between the late 4th millennium BC and the 5th century AD, show some remarkable connections with the Louvre’s collection. In some cases, a pair of objects has been reunited for the first time, while in others, pieces complement each other by virtue of specific historical features of their respective collections. Representing Central Asia, Syria, Iran and Mesopotamia, this dialogue between collections is (re)introducing visitors to these extraordinary, age-old works of art and the stories they tell.

The Musée national Picasso-Paris collection is the fruit of an extraordinary history, made possible by the dation procedure - today it is the largest public collection of works by Picasso, the "Picassos of Picasso". Coming from the artist's studios, this collection gives us a better grasp of the aesthetic explorations of a Picasso who was by turns disconcerting, plural, contradictory, reflexive, gestural and conceptual, an aesthete and a committed activist, a tinkerer and a poet. Is he symbolist, cubist, classical, surrealist or simply figurative and political?

The Musée national Picasso-Paris collection is the fruit of an extraordinary history, made possible by the dation procedure - today it is the largest public collection of works by Picasso, the "Picassos of Picasso". Coming from the artist's studios, this collection gives us a better grasp of the aesthetic explorations of a Picasso who was by turns disconcerting, plural, contradictory, reflexive, gestural and conceptual, an aesthete and a committed activist, a tinkerer and a poet. Is he symbolist, cubist, classical, surrealist or simply figurative and political?

Stephane Jaspert paints mainstream images on old paving rocks picked from the streets of Paris (pavé de Paris) in his tiny studio at Montmartre.

The International Spy Museum is proud to host this official exhibition of iconic vehicles, all used on-screen by 007 and his many allies and adversaries. While James Bond is a fictional character, he embodies the spirit of many real spies in this museum. These men and women, from around the world, were inspired by over six decades of the Bond film franchise and its enduring cultural influence. Bond In Motion is a celebration of six decades of 007 vehicles. The exhibition features 17 iconic pieces from the EON Productions Archive and the Ian Fleming Foundation. Props, models scale and clips from the films are also on show alongside cars, motorcycles, submarines, and more from the Q Branch garage.

In the heart of New York City, the Richard Rodgers Theatre proudly presents the musical “Hamilton”. This highly anticipated event will captivate audiences from now on. Experience the captivating story of Hamilton, an extraordinary musical that delves into the life of a remarkable Founding Father. With an insatiable hunger for success and a relentless ambition, Hamilton defies all odds to leave an indelible mark on the new nation. From his humble beginnings as an orphan to becoming George Washington's trusted right-hand man, Hamilton's journey takes him from rebel to war hero. Amidst his rise to power, he becomes entangled in the first-ever sex scandal of the country, all while serving as the head of the Treasury and instilling faith in the American economy. Immerse yourself in the rich history and captivating storytelling of this critically acclaimed musical. Don’t miss the opportunity to witness this extraordinary musical “Hamilton” live on stage at the Richard Rodgers Theatre in New York City. Get your tickets now on Trip.com for an unforgettable journey into the world of Hamilton.

Back to the Future the Musical is an extraordinary event taking place at the Winter Garden Theatre in New York. From now on, immerse yourself in this captivating experience. “Back to the Future: The Musical” is an extraordinary stage adaptation of the beloved 1985 sci-fi masterpiece “Back to the Future”. Transporting audiences through time, this captivating production follows the thrilling journey of Marty McFly. With the aid of a remarkable DeLorean time machine, invented by his ingenious friend, Marty ventures from the year 1985 to the enchanting era of 1955. Along this extraordinary odyssey, he encounters his own parents during their teenage years, facing the pivotal task of ensuring their destined love and unity, ultimately safeguarding his very existence in the future. Experience the awe-inspiring magic of the theater “Back to the Future: The Musical” Secure your tickets on Trip.com now for an unforgettable journey through time and witness the enthralling attractions that await.

The Lion King Show is an exceptional event that takes place in the vibrant city of New York. Held at the renowned Minskoff Theatre, this show promises an unforgettable experience for all attendees. From now on, immerse yourself in the mesmerizing world of The Lion King. Based on the 1994 Disney film and the original book by Roger and Erin, the musical won an Oscar for the song Can You Feel the Love Tonight. This remarkable production showcases the timeless tale of Simba, the young lion prince, as he embarks on a journey of self-discovery and courage. This visual feast successfully blends animals, puppets and real people seamlessly and is loved by audiences of all ages. Don’t miss out on this extraordinary event, Trip.com offers a wide range of ticketing options. Immerse yourself in the enchanting atmosphere of the Minskoff Theatre and witness the magic unfold before your eyes. Whether you are a fan of the original animated film or a newcomer to the story, this show guarantees to leave you in awe.

Carpenters Workshop Gallery presents Maison Démountable, one of Jean Prouvé’s models of the 6×6 house from 1944, which will be a permanent installation in Ladbroke Hall’s Garden.

The fascinating dialogue between science fiction and design is the subject of a new exhibition in the Vitra Schaudepot. Under the title »Science Fiction Design: From Space Age to Metaverse«, over 100 objects from the museum’s collection will be staged in a futuristic display by the Argentine visual artist and designer Andrés Reisinger. Supplemented by selected works from the realms of film and literature, the show presents a range of examples from the early twentieth century to the so-called Space Age of the 1960s and ’70s, and even further to recent design objects that have been conceived exclusively for the virtual worlds of the metaverse. The literary genre of science fiction first became popular in the nineteenth century, when the sudden rise of technology during the Industrial Age inspired authors such as Mary Shelley and Jules Verne to imagine how the era’s urgent issues would play out in a future fictional world. From the outset, the genre focused on the central questions of humankind – touching on love, war and death in the context of time and space travel, or under the risks and opportunities of new technologies. With the advent of moving pictures, science fiction was soon adopted as a major cinematic theme. This is demonstrated in the exhibition by one of the seminal early works in the history of film: in A Trip to the Moon from the year 1902, the French director Georges Meliès envisioned the flight of a rocket to the moon, resulting in the archetypical science fiction movie. Over the following decades, science fiction not only experienced a quick ascent in the film industry, but also generated new forms in the literary and graphic arts, such as comics and pulp magazines that reached a global fan base with garish covers and stories penned by renowned authors like Isaac Asimov, Stanislaw Lem and H.G. Wells. What was first anticipated by science fiction started to become a reality in the 1950s: the first satellites were shot into space, aerospace technology experienced rapid advancement, and the two Cold War superpowers, the United States and the Soviet Union, engaged in a moon race that captivated the entire world like a suspense novel. The Space Age also found manifold expression in the realm of design. Designers such as Gae Aulenti, Eero Aarnio, Luigi Colani, Joe Colombo and Verner Panton created furnishings and living environments whose organic shapes and shiny plastic surfaces not only looked futuristic, but also reflected a fundamental rethinking of modern lifestyles. Finding inspiration in the technology of space travel, the designers of the Space Age supplied film directors with the ideal furnishings for their science fiction movies. Designer furniture surged on the silver screen: Olivier Mourgue’s Djinn seating series in Stanley Kubrick’s 2001: A Space Odyssey (1968); Eero Aarnio’s Tomato Chair in Barry Sonnenfeld’s Men in Black (1997); Pierre Paulin’s Ribbon Chair in Denis Villeneuve’s Blade Runner 2049 (2017), to name a few. The dialogue between science fiction and design persisted into the following decades. Iconic designs continued to appear in science fiction films, such as Marc Newson’s Orgone Chair in Prometheus (2012) – along with unexpected examples like Charles Rennie Mackintosh’s Argyle Chair (1897) in Blade Runner (1982). In this respect, science fiction has proven to be a multifaceted genre that also addresses controversial topics such as climate change and artificial intelligence. The new possibilities enabled by computer-aided design and 3D printing have contributed to the revival of a futuristic aesthetic, from which new classics have emerged, such as Joris Laarman’s Aluminum Gradient Chair (2013), the first 3D-printed metal chair. In light of the current space exploration efforts, there is talk of a Second Space Age. This raises questions about how the dialogue between science fiction and design is progressing today, and what it might look like in the future. Applying innovative technologies to pressing social problems and challenges is just one conceivable scenario. The other is the metaverse, which, for a new generation of young designers, appears to be evolving into what the cosmos represented in the 1960s – a new space for projections and experiments, a place for free thinking that can be filled with novel ideas and concepts. As an example of this approach, the exhibition also features works by Andrés Reisinger, currently one of the most prominent figures creating and designing for both the physical realm and the metaverse. Reisinger’s digital artworks, often featuring furniture, are marketed as NFTs and attain high attention. His perfectly staged dreamscapes give expression to the aesthetic preferences and sensibilities of a digital generation, while clearly referencing the imagery of earlier science fiction films. On display in the show are Reisinger’s Shipping Series (2021) and his Hortensia Chair (2018), the latter a playful and simultaneously futuristic object that the artist and designer initially developed as an NFT before producing it as an actual piece of furniture. The creative direction of the exhibition has also been entrusted to Andrés Reisinger.

This site-specific work explores the fragility of the Earth’s ecosystem, as well as the destruction of the forest and its potential for regeneration. The sculpture celebrates the beauty of wood in its natural state and emphasizes its potential as a reusable and renewable resource.

This site-specific work explores the fragility of the Earth’s ecosystem, as well as the destruction of the forest and its potential for regeneration. The sculpture celebrates the beauty of wood in its natural state and emphasizes its potential as a reusable and renewable resource.

The exhibition is dedicated to one of the most important events in anyone's life. Weddings have long been considered not only a family, but also a public occasion, and therefore require compliance with a set of rules established in the early 19th century, which have hardly changed since then. The outward features of a Russian wedding are various elements of the bride's and groom's attire, gifts, dowry and icons. Such exhibits from the State Hermitage stock make it possible to see objects that many years ago accompanied lovers through the happiest period of their lives.The wedding was preceded by a betrothal or engagement ceremony. The exhibition includes a dress that the future Princess Yusupova Zinaida Ivanovna Naryshkina wore on her betrothal, as well as icons used to bless the bride and groom.

This is the first exhibition to explore the extraordinary career of fashion model Naomi Campbell. Through the work of leading designers and photographers around the world, we celebrate her creative collaborations, activism and lasting cultural impact.

Your movements and interactions bring artworks to life insideSolid Light, a focused exhibition dedicated to the immersive works ofAnthony McCall. Beams of light projected through a thin mist create large three-dimensional forms in space, which slowly shift and change. As you move through these translucent sculptures of light, you’ll create new shapes and discover your own mesmerising perspectives. Occupying a space between sculpture, cinema, drawing, and performance, McCall is known for his innovative installations of light. In 1973, his seminal work Line Describing a Cone redefined the possibilities of sculpture. Anthony McCall is presented in The George Economou Gallery. Curated by Gregor Muir, Director of Collection, International Art, Tate Modern and Andrew de Brún, Assistant Curator, International Art, Tate Modern.