Featured Events in Seoul in February 2025 (July Updated)

Miffy enters the Magic Mailbox and encounters 70 years of memories again! Take a trip down memory lane to meet Miffy, her family and friends through the Magic Mailbox, reflect on your cherished feelings, and encounter a letter from your long-lost friend Dick Brenner.

Come awaken every sense of yours! MORE TO ENJOY! MORE TO FEEL! A night that belongs only to GIRLS! A wonderful new experience is waiting for you! This night is not only entertainment, but also a time to release yourself. Lights, music, food... every detail is carefully crafted for you, just to let you forget the daily pressure and immerse yourself in unparalleled joy. Relax, laugh, dance with your girlfriends in the exclusive space for girls and experience the excitement that belongs to you!

The Seoul Museum of Art will hold the first solo exhibition in Korea, "Sararan", by Kawashima Kotori, a Japanese photographer who captures the beauty of existence, at the Seoul Museum of Art M2 from February 26 to October 12. This large exhibition held on two floors of the Seoul Museum of Art M2 will showcase the artist's entire creative world with 309 works, from his first photography series "BABY BABY" to his representative work "Future-chan" that is both artistic and popular, and new works that capture the cityscape of Seoul. The exhibition will also feature C-Print and gelatin silver prints created by the artist himself using analog methods.

On November 15, the National Museum of Korea opened its first dedicated exhibition room for the Oegyujanggak Uigwe. Located on the second floor of the National Museum of Korea’s permanent exhibition hall, this exhibition room is a space where visitors can only view the Oegyujanggak Uigwe, allowing them to fully experience the Oegyujanggak Uigwe.

2024.12.20 Permanent exhibition "Gustav Klimt: Eternal Beauty" tells the story of the golden painter Klimt's life of pursuing true beauty through his works. Freedom and love shine with golden light, from the mysterious birth of life to the noble death. Klimt's timeless and beautiful story begins here.

A permanent exhibition held at the Bank of Korea Gallery on the second floor of the Currency Museum. Masterpieces of modern and contemporary art history are carefully selected and displayed as permanent exhibitions. Compare the painting styles of the East and the West through a variety of works and walk the path of thinking and strolling.

The modern art in the Leeum Museum of Art covers international art trends from Korean modern and contemporary art to Asian and Western modern art, and is the result of the Samsung Cultural Foundation's long-standing belief and passion for the development of Korean culture and art. In 2025, to commemorate the 60th anniversary of the Samsung Cultural Foundation, the Leeum, Samsung Museum of Art, provides a place for people to appreciate its collection of modern art from a new perspective. The focus of this exhibition is not on representative collections of well-known museums, but on works that have never been made public. In addition, new works recently acquired by the museum are introduced to enrich the artistic dialogue that reflects the changing times. The exhibition is not arranged chronologically or thematically, but encourages the audience to discover more relationships between works through visual or conceptual juxtaposition, thus creating a multi-layered, non-linear artistic experience. The opening works of the exhibition include Auguste Rodin's The Burghers of Calais, Alberto Giacometti's Lady Giant III, and Jan Bo's Our Country (Part), echoing the history and identity of the Leeum collection that connects modern and contemporary art. Starting with the wonderful encounter with paintings by Mark Rothko and Zhang Xuzhen, to the major works of modern masters Sol LeWitt, Richard Deacon, Carl Andre, and Robert Rauschenberg, which were made public for the first time since the opening of the Leeum, as well as the recently acquired works of Louise Nevelson, Hannah Darboven, and Lee Bontesseu, they complement each other and further enrich the depth and breadth of the art collection of the Leeum. In addition, the architecturally transformed M2 exhibition space will provide visitors with a special visual experience, allowing them to explore the space and works in a whole new way. Through this exhibition, we hope to examine the evolution and changes of modern art through the collections accumulated by Leeum Art Museum over the past decades, reflect on the contemporary context and artistic significance of the works, and feel the complex levels of art through the multi-level dialogue between the works. - Leeum Art Museum

In March 2023, the "Anime "Jujutsu Kaisen" Exhibition 'Theatrical Version Jujutsu Kaisen 0'", which started in Tokyo and toured 9 major cities in Japan including Osaka, Fukuoka, Hokkaido, and Ishikawa Prefecture, and received high praise, has been upgraded during the continuous tour, and will be held in Korea for the first time on November 23, 2024 (Saturday) with a large amount of information! This exhibition is centered on "Theatrical Version Jujutsu Kaisen 0", covering the content of the 17th and 27th seasons of the animation, presenting a rich and colorful exhibition for everyone! The exhibition is based on the concept of "experiencing the theatrical version and TV series "Jujutsu Kaisen" on site", and displays a large amount of information such as scene graphic decorations, original paintings and storyboards in the work.

The exhibition "Impressionism, from Monet to America: Light, Across the Ocean" will be held at ALT.1 in Hyundai Seoul from February 15 to May 26. Water Lilies by Claude Monet, a painter loved by Koreans, is coming to Korea. Monet is an artist who captured the fleeting beauty created by light on canvas. He is known as the originator of Impressionist painters. That is why Monet's landscapes change in various ways depending on the light, which fascinates even those who are not familiar with art. Despite the global art market recession, Water Lilies was sold at Sotheby's in New York for $65.5 million two months ago. Last year, on the occasion of the 150th anniversary of the birth of Impressionism, major museums such as the Musée d'Orsay in France held Impressionist exhibitions and borrowed paintings, resulting in no chance for Impressionism to enter Korea. For this reason, the special exhibition that will open next month is expected by people inside and outside the art world as a heavyweight masterpiece exhibition of all ages to kick off the new year. The bridge of European and American Impressionism, Worcester masterpieces gather in one place The Korea Economic Daily, which has been making waves in the art world since the end of the year with the exhibition "Vienna 1900, Dream Artists", jointly held this exhibition with the Worcester Art Museum in the United States to commemorate the 150th anniversary of Vienna 1900. This is the place where Impressionism was born, and you can see 53 points. The organizer of the exhibition explained, "This is a special opportunity to show Korean visitors a new look at Impressionism." The exhibition includes works by Monet, Cézanne, Renoir and Camille Pissarro, which were exhibited at the "First Impressionist Exhibition" held in Paris in 1874, as well as works by John Singer Sargent, Childe Hassam, Jean Baptiste Camille Corot, Mary Cassatt and John Singer Sargent. Alfred These are works by American Impressionist painters such as Sisley. This is because Impressionism, which originated in Europe, crossed the Atlantic and blossomed after encountering American nature, becoming the starting point of modern painting. Art lovers have high hopes for the exhibition commemorating the 150th anniversary of the birth of Impressionism.

The Daelyn Museum of Art will host a major special exhibition, "Tanaami Keiichi: I’M THE ORIGIN," from December 14, 2024 to June 29, 2025, curated by artist Keiichi Tanaami (born 1936), who is internationally renowned as a pioneer of Asian pop art. Tanaami was a pioneer of the Superflat art movement and influenced Japanese modern art representatives Takashi Murakami and Yoshitomo Nara. Tanaami believed that "its existence itself is a genre," and this exhibition will feature more than 700 major works from his 60-year career. This exhibition allows you to explore the author's rich and varied works through his work.

This artist, who has lived and painted in Paris all his life, is committed to transferring the beautiful memories of life to the canvas, and presenting the daily yet ideal scenery of various parts of Paris as ordinary and peaceful scenes.

Rolling out from MAAP LAB Seoul, we'll take the 65KM Paldang Bridge Loop. A ride that blends the best of Seoul’s cycling culture with its urban energy. Information Source: MAAP | eventbrite

Hello, aspiring adventurers! For those who hesitate to take on new challenges, we have created an opportunity for you to escape from your daily life and go on adventures around the world. Are you ready to face unexpected moments and make unusual choices in unfamiliar landscapes?

Our first exhibition planned for 2025 will be a solo exhibition by Pierre Huyghe, a world-renowned artist who explores contemporary social issues from a multidisciplinary perspective, from ecology to technoscience. This is Pierre Huyghe's first solo exhibition in a Korean museum, and includes new works produced in collaboration with the Pinault Collection Punta della Dogana in Venice and the Leeum, Samsung Museum of Art. It presents the ecosystems where humans and non-humans coexist through video, sound, sculpture and installation.

The National Museum of Modern and Contemporary Art's MultiArt 2024 "Space Elevator" is a project that explores another reality universe and the feelings associated with it. The project will be held every month from May this year to February next year. What is the "reason" and "methodology" that humans should leave the self-satisfied earth and move towards a new reality-the universe? MultiArt 2024 may be unfamiliar to us, but surprisingly, we focus on the interesting concept of "space elevator" that has been discussed for a long time in engineering.

Around 1467, the Joseon royal family established the official kiln, or royal porcelain kiln, in Gwangju, Gyeonggi-do, to produce white porcelain for the palace. Geumsa-ri was the kiln that operated from 1734 to 1751. Geumsa-ri is famous for producing milky white, i.e. milky white white purple, and moon jars. By collecting the fragments of the golden relic, you can learn about the white porcelain produced by the golden relic, such as the moon jar.

Before the 19th century, most paintings were based on historical, political, mythological and religious themes due to the influence of social and religious environments. However, after entering the 19th century, with the advancement of the Industrial Revolution and urbanization, the growth of the middle class allowed people to have more financial resources and began to enjoy various leisure activities. Impressionist painters came into being and depicted the daily lives and leisure time of these people on canvas. Breaking away from the academic style that dominated the art world at the time, the Impressionist painters were no longer confined to the studio, but turned their attention to nature where they could fully experience light, color and air. They particularly like to vividly depict Parisians enjoying their daily romance and leisure through scenes such as picnics, boating, sunbathing, cafes, streets and gardens. The media exhibition "Holiday in Paris: Holiday in Paris" reinterprets the works of French Impressionist representative painters Auguste Renoir, Edouard Manet, Georges Seurat and Gustave Caillebotte through immersive digital media art, and through interactive elements, it makes the audience feel as if they have traveled back to 19th century Paris and become the protagonists enjoying leisure in Impressionist works. Philosopher Hegel once said: "Rest is the most precious thing in the world." It is a great pleasure for human beings to have peace of mind, temporarily get rid of physical and mental fatigue, and enjoy their own rest time. For those modern people who are tired of endless life and work, entering the exhibition hall, immersing themselves in the works of representative painters of Impressionism, and feeling the romance and leisure of Paris will be an impulse to get rid of physical and mental fatigue. We hope that the Paris scenery against the backdrop of the Seine River, the leisurely boating scenes and the sunbathing scenes on the grass reproduced through immersive media art can provide modern people with an excellent space to temporarily escape from the hustle and bustle of the city and enjoy a rest.

The interna tionally known Scandinavian artist duo Elmgreen & Dragset have continually redefined exhibition making and the ways in which art can be experienced. Presenting over sixty works with in five immersive installations—a full-scale family house, a public pool, a restaurant with an adjacent kitchen, and an artist's studio—this exhibition marks the their most extensive presentation in Asia to date. Within Spaces viewers will experience new installations of unprecedented scale and form. In Exhibition Room 1, visitors can enter a 140 square meter single family house designed by the Elmgreen & Dragset, explore its various rooms dotted with sculptural works and furniture pieces, and uncover clues about the lives of its fictional inhabitants. In Exhibition Room 2, the duo will install a to-scale public pool emptied of water. This melancholic image—a recurring motif in their oeuvre—suggests the decline of civic gathering spaces and the subsequent loss of community. Finally, visitors will encounter a restaurant named The Cloud. Seemingly caught between its opening hours, the space will be empty except for a lifelike figure of a young woman in the middle of a FaceTime conversation. Other installations will include an industrial kitchen that is reminiscent of a laboratory and an artist ’s studio. Through this expansive survey of Elmgreen & Dragset’s spatial practice, the Amorepacific Museum of Art seeks to provide its visitors with the unique opportunity to uncover unexpected interpretations of everyday realities. Featuring a combination of existing and new works by Elmgreen & Dragset, these architectural interventions will encourage visitors to hunt for narrative threads embedded within the exhibition and become protagonists of the story along the way.

Connected Bodies: Asian Women Artists (hereinafter referred to as Connected Bodies) aims to re-examine the contemporary significance of Asian women's art since the 1960s from the perspective of "bodily nature". This exhibition is part of the National Gallery of Modern Art's Asian Art Project, which crosses borders to conduct comparative research and display contemporary Asian art. The body is a place where various ideologies and situations meet, and where differences and diversity emerge. In order to think about this theme together, the exhibition brings together about 130 works by female artists from 11 countries in Asia.

The largest exhibition in Asia focusing on the spatial work of artist duo Elmgreen and Dragset. A special experience of discovering and completing hidden stories in life-sized installations such as swimming pools, houses and restaurants.

The exhibition Sutra and Box: Vessels of Enlightenment highlights two outstanding masterpieces from the Goryeo Dynasty: a handwritten Buddhist manuscript and an intricately crafted sutra box. The seven volumes of the Lotus Sutra, written and illustrated entirely in gold, are presented in this exhibition. They reflect the ardent aspirations of the people of the time and offer visitors an opportunity to appreciate these priceless works. According to the votive inscription in the sutra, it was dedicated with utmost devotion in the first year of the reign of King Chungmok (1345) of the Goryeo Dynasty by a noblewoman of the highest rank. By means of the merit derived from this work, she hoped to ensure the royal family’s well-being and enlightenment. Also on display is the Sutra Box, an illustrative work of Goryeo mother-of-pearl inlay of which only about twenty examples are known to exist. This exquisite box is decorated with countless finely cut mother-of-pearl fragments that are intricately arranged to form various floral patterns. Fine metal wires were used to prevent the inlay from falling out and to represent the stems between the flowers, demonstrating the blend of artistry and functionality that is the quintessence of Goryeo artisanry. This exhibition provides a meaningful opportunity to deeply understand the value and significance of these masterpieces created through a grand union of faith and art.

"Poetry written on fabric, embracing special memories in everyday life" The textile design brand "minä perhonen", which weaves special memories in everyday life into fairytale-like fabrics, will hold the exhibition "Minä Perhonen Design Journey: Cycle of Memory" for the first time in Korea. This exhibition will show the process of remembering bits and pieces of daily life, such as clouds over fields, swelling buds, and sounds of the coast, incorporating them into designs and making them into fabrics. The founder Akira Minagawa's philosophy of cherishing people and memories is also reflected in his works. I hope you will have a precious opportunity to discover the charm of textile design and a feast of beautiful textiles during your design journey with Minä Perhonen.

Henri de Toulouse Lautrec was an artist from a French aristocratic family, known for his unique, charming and provocative handwriting lithographs of Parisian nightlife during the Belle Époque. As a painter, printmaker and illustrator, he did not belong to a specific school, but absorbed the diversity of the Art Nouveau in Montmartre, the avant-garde center of the time, and pioneered original shapes. Modern graphic posters, he is considered one of the greatest artists in the history of world art. This exhibition seeks to break away from the previous tendency to emphasize Lautrec's psychological defects and unfortunate life, and examine his art from a new perspective. I want to emphasize his freedom to interact with people despite his physical disability, his bohemian experimental spirit that did not belong to any school and freely accepted the Art Nouveau, and especially his humanistic spirit of observing the beauty behind charm and vulgarity. This exhibition explores the extraordinary nature of the art created by Toulouse-Lautrec, combining the vitality of the fin de siècle with humanism, exhibiting his monumental and fascinating works created in Montmartre, as well as posters that led the golden age of contemporary French Art Nouveau. Together with Lautrec, 159 masterpieces of prints by 13 artists, including Alphonse Mucha, are exhibited. The first part, "Bohemia," explores Lautrec's bohemian experimental spirit, who freely embraced various artistic trends and did not belong to any school of painting. The second part, "Humanists," examines Lautrec's human-centered paintings, which depict the lower classes of Montmartre with extraordinary humanity and emphasize his humanistic aspects. The third part, "Stars of Montmartre," consists of works from the second half of his creative career, highlighting his artistic legacy that continues to this day. The final chapter, "French Art Nouveau Posters," showcases the works of 13 artists who were contemporaries of Lautrec and dominated the golden age of French Art Nouveau poster art. It will be an interesting opportunity to compare their works, which have in common with Lautrec's in that they follow the lithographic medium and Art Nouveau trends, but also stand out from Lautrec's art with their own aesthetic consciousness.

Steidl, a living legend in art books The world's best museums and luxury brands, the go-to place for books by leading contemporary artists, Steidl began as a small printing house in 1968 and is now considered a legend in art books as a publishing company that elevates paper books to the level of art.

People, living things will die. Death covers the faces of those who survived the eternal years. So I always feel strange about death. Death is the beginning of a journey to an unknown place. Facing death, the living are heartbroken, That journey cannot be taken together. You can only provide a companion for those who are leaving. The only friend on that road with no solution is. Just like the midwife accepted me and my parents guided me when I was born The moment this life ends and the underworld begins to breathe, the existence that accepts me and guides me, has prepared an exhibition introducing "puppets". The ancestors used the word "passing away" to describe it. This means that the place we go after death is ultimately where we came from. With various puppets on the journey of our souls returning home and the traditional worldview of Koreans now transformed into a beautiful cultural heritage display material I hope it will be a time to think about life and death