Welcome to Emotions and Senses in 18th century Visual Art and Culture! Join us at Hogarth's House for a fascinating exploration of how emotions and senses were portrayed in art during the 18th century. Recent research has highlighted the nuanced understanding of emotional expression through its historical and contextual relevance. The eighteenth century has been identified by historical scholar such as Retford, Dixon, and Boddice as a critical era of change within emotional landscapes. Art theorists, importantly, have identified the nuanced role art plays in symbolising in an historical era and arousing emotions in its viewers. Tentative Programme09:00-09:30 Registration – Coffee/Tea and Biscuits 09:30-09:45 Welcome and Introduction – Stewart McCain and Angela Platt 09:45-11:00 Plenary: ‘Find an agreeable Companion in a Statue’: Art, Culture and Sense Perception in the Anglophone Enlightenment
Professor Malcolm Quinn, University of the Arts London 11:00-11:15 Coffee/Tea Break 11:15-12:30 Panel 1: Morality, Sacrifice and Death
Kate Grandjouan: Empathetic Viewing: Punishment, Feelings and the French
Emmanouela Kyriakopoulou: Voca me cum benedictis: Interpreting blame, punishment, and mercy through the depiction of emotions
in a Dutch religious print of the 18th century
Lorenzo Giammettei: Melancholy in Arcadia: sadness and restrain in18th century Roman painting. 12:30-13:45 Lunch & Private viewing of exhibition 13:45-15:00 Panel 2: Material Culture – Optical boxes, Statues and Perfume
Johanna Daniel: Senses and Emotions in the Context of Virtual Travel: Experiencing the Zograscope and Optical Box in the Second Half of the 18th Century.
Nicolas Bourgès: The representation of emotions in 18th-century British paintings and prints of scenes from the Greek and Roman Antiquity
Clara May: The emotional power of scents in Eighteenth-Century French decorative arts 15:00-16:15 Panel 3: Observation, Perception and the Body
Stewart McCain: Title TBD
Victor dos Reis: The Rapture of the Observer: Representation and Perception of Emotions in the 18th Century
Kasper Laegring: A Sense of Sympathy: How Jens Juel and George Morland Revolutionised Genre Painting 16:15-16:30 Coffee/Tea Break 16:30-17:45 Panel 4: Gender, Family and Nationhood
Emma Barker: Figures of Pathos: the Single-Figure Painting in Later Eighteenth-Century Art
David Ehrenpreis: The Feeling of Sacrifice: Nation and Family in the Late-Eighteenth Century
Torild Gjesvik: A Companionate Family: Jens Juel’s Portrait of the Anker Family. A Case from Eighteenth-Century Denmark-Norway. 17:45-19:00 Wine Reception 18:00-18:45 Screening & Discussion (and cont’d wine reception) 19:00-21:00 Conference Dinner (off-site)

Information Source: St Mary's University, Twickenham | eventbrite

London

United Kingdom

Hounslow

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The former residence of Hogas is currently not accessible on the upper floors due to security reasons, so visitors can only enter three rooms including shops and receptions, and four rooms if including a small foyer. Since the house has been resold many hands, there are no artifacts from the artist other than the pictures and photographs that have been collected.

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