JLC LIVE New England 2026 | Rhode Island Convention Center

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43 Dave Gavitt Way, Providence, RI 02903

Information Source: Providence Singers | eventbrite

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43 Dave Gavitt Way, Providence, RI 02903

Information Source: Blank Space Studios | eventbrite

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593 Eddy Street, Providence, RI 02903

Information Source: Casey O'Rourke | eventbrite

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475 Valley Street, Providence, RI 02908

Information Source: GFree Fest | eventbrite

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225 Dyer Street, Providence, RI 02903

Information Source: Deb Honor | eventbrite

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899 Plainfield Street, Providence, RI 02909

Information Source: Woonasquatucket River Watershed Council | eventbrite

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172 Pine Street, Providence, RI 02903

Information Source: Hey Rhody Media Co. | eventbrite

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82 Smith Street, Providence, RI 02903

Information Source: Rhode Island Atheists | eventbrite

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Armada Way

Created by artist and sculptor Carole Vincent the artwork features a large sundial design and fountain. The artwork was commissioned by Plymouth City Council as part of the pedestrianisation of the City Centre in 1987. The work was officially launched on 22 July 1988 by Queen Elizabeth II and commemorates the ‘Armada 400’ celebrations in the city. (Image courtesy of Plymouth Herald image archive) Cast in concrete with Terrazzo and stainless steel, the sundial also features 12 plinths around the outside. Information panels on top of the stone plinths offer in detail ways to ‘read’ the sundial in a range of different languages. The information plinths were made a particular feature of in 2010 when they were covered with decorative textiles as part of ‘Mrs Smith’s hit on Plymouth sundial’ – a secret commission by Plymouth College of Art. Guerrilla textiles installed overnight to the surprise of the public! The sundial is set to G.M.T which differs in the summer (B.S.T) by one hour in advance. The sun is also due south in Plymouth 17 minutes later than it is at Greenwich; therefore at some points of the year the dial runs 1 hour 17 minutes behind G.M.T. About the Artist Carole Vincent (1939-2019) was an artist working in concrete. She lived and worked in Boscastle, Cornwall. Painter as well as sculptor, she explored the use of natural colour and texture in concrete for sculpture. Her work with pigments achieved remarkable success, opening new doors to architects, engineers and planners. Her passion was to work on commissions for specific environments, ranging from public spaces to individual buildings and gardens.