Musee d'Orsay

Must see in Paris! Such a great collection and great views from the museum

Musee d'Orsay: Salvaging the golden age of impressionism in the ruins of the train station is worth half a life! Conclusion: If you are making a pilgrimage for impressionism, this place is more deadly than the Louvre - when Monet's "Water Lilies" hits the steel ribs of the abandoned station, you will hear the bone cracking sound of artistic innovation. Hardcore highlights: The train station understands rebellion better than the art gallery The time gallows in the clock tower: Rush up to the five-story West Clock Tower (Pavillon Amont), cut through the giant gilded clock face to cut Paris: the left frame is the Sacre Coeur, the right lock is the Louvre, and the Seine River cruise ship is like a clockwork toy in the distance - this is the most arrogant view in Paris. Trains bid farewell to millions of broken hearts here. Sacrifice ceremony of the Temple of Industry: A 1,400-ton steel vault stands in the 40-meter high hall, and sunlight penetrates the glass ceiling and splashes on Rodin's "The Gates of Hell". Look up and take a closer look at the original coal dust between the rivets of the steel beams - the breath of the steam train in 1900 is still attached to it, and Van Gogh's "Starry Night" is spinning and burning below. The dark revelation of the bottom floor: most people go straight to the top floor Impressionism, but miss the execution ground of the top floor academic school. Bouguereau's "The Birth of Venus" and Cabanel's "The Birth of Venus" face off - the former defeated Manet and was elected the darling of the Salon. Now the audience votes with their feet: the former exhibition hall is empty like a place of exile, and the latter is suffocated by the crowd. Fading curse of water lilies: Please read the label carefully in front of Monet's "Blue Water Lilies": Flash is strictly prohibited, the pigment contains lapis lazuli and is decomposing". The dark blue lake water is actually a chemical funeral, and the cobalt purple of the girl's skirt in Renoir's "Ball at the Moulin de la Galette" has faded to grayish white - the light of Impressionism is being murdered by time. The anti-killing tour group's rampage strategy: The dynamic nuclear explosion plan: ⚡️ Enter from the Seine River entrance at 9:00 am (30 minutes less than the main entrance) ⚡️ Take the elevator directly to the Impressionist Temple on the fifth floor (kneel down for "Water Lilies", "Starry Night" and "Ball" first, and this place will fall after 10:00) ⚡️ Sneak to the new art exhibition area on the middle floor at 10:30 and enjoy the magical subway station entrance of Guimard alone ⚡️ Go down to the G floor at 11:00 and eat raspberry tower in the cafe of the train hotel ruins (formerly the first waiting room) Hidden copy trigger point: - The secret door in the east wing leads to the glass-roofed mezzanine, and the central hall looks like a future church from a bird's-eye view - Find the Degas ballerina sculpture next to the toilet on the north side, the folds of the skirt hide the artist's fingerprints Fatal peak: Thursday night (18:00-21:45) The flow of people is halved, and when the dome spotlight is turned on, the provocative gaze of the prostitute in "Olympia" is more piercing. Magic realism moment: When you chew on a cow horn in front of Miller's "The Gleaners"

It was my first time to be there and see the original works of the masters. I got goose bumps. The whole museum is very large. If you look at it carefully, one day is just right. There are many places to rest and restaurants inside, and the prices are relatively affordable.

Paris's favorite museum, there are a lot of good things but not as big as the Louvre, it takes an afternoon or about 3 hours, the lobby on the first floor is a sculpture, the sculpture is on both sides of the exhibition hall, the paintings inside are very beautiful, everyone can understand, There is no high art appreciation requirement for visitors. Each work can be appreciated. It is recommended to go to the 5th floor first, starting from the 5th floor, because the 5th floor is full of essence.

I am accompanied by the nephew of my family to visit France, purely to play soy sauce, I am not very interested in these, but he just arrived in France, English is not very good, ask me to accompany, that can only accompany, Paris began to close the road everywhere (because of the Olympics), we were "carried down" in the subway, Staring at the sun for more than an hour before bypassing the heavy checkpoints to Othello. If you are interested in art, if the Olympic road is not closed, maybe my popularity will increase a lot.

The Osai Museum is well worth a visit. It is called the Impressionist and Post-Impressionist Art Hall. Monet, Van Gogh, Cézanne and other masterpieces are gathered. You can walk through the water lily, star night, etc., touch the spirit of light and shadow color and the heat of the painter's heart. The museum was rebuilt from a railway station, with a unique architectural style that combines classical and modern, and a wide space to create a great display atmosphere for the exhibits. Not only the art treasure house, but also the key coordinates of the development of French culture and art, filling the gap from ancient to modern art, so that visitors can reap a profound and unique experience in the intertwined art and history.

I was crying by the Osai Museum. The building itself is an artwork! Queuing for a longer security check, please be sure to arrange your time in advance. I have limited time to visit the Impressionist area. Other exhibition areas have no time to see, but they are great value.

Walking into the Osai Museum, the clock's pointer seemed to stop forever in the 19th century. The sun was shining through the vaulted glass on Van Gogh's starry night, I sat in a daze on the sofa on the sculpture promenade, and Rodin's thinkers were pondering around the corner. The most wonderful thing is that in the old railway station remodeled exhibition hall, the impressionist brush strokes and the steel skeleton of the steam age are so harmonious.