Kahitsukan, Kyoto Modern Art Museum

I didn't know about it before. I saw the pumpkin by mistake. I was so excited that I couldn't. I was so lucky. At 10:00, I started to buy tickets from the ticket vending machine. I sat down next to it and got my shoes in plastic bags. I didn't know what was going on at the beginning. I wanted to take off my shoes. I put 100 yen in the entrance to deposit things and I could retire. For the first time, I watched Miaosheng in the grass on the Tami barefoot. Have had a comfortable experience. It's really worth the return ticket. Besides the exhibition, there are several balconies to enjoy the Japanese garden. If you don't hurry, it's good to sit there and see the scenery.

Walking in the night, I saw such a sign - "Why Museum Kyoto Modern Art Museum" unexpectedly. The poster on the side shows that the Elliott Erwitt exhibition is in progress, opening from 19:00 to 18:00. I'm late.

Why do you need to take the elevator to the fifth floor when the door opens the moment you see the scene. Red leaves are beautiful, but I prefer the "silence" after the bustle is over.

Kyoto National Museum of Modern Art collection of Kansai-based Western Japanese art works occupy a large proportion, of which Kyoto modern Japanese painting and craft works are excellent, modern world pottery, dyeing, glass craft level European and American works and world photography history of important works collection is also very Rich. The museum has a permanent exhibition displaying collections, selected some works from about 6,600 collections, and displayed in a timely manner. There are also special exhibitions introducing domestic and foreign works, and also publish the gallery newsletter [window], and hold lectures related to the exhibition.

Looks good attractions, you can see a lot of good things

This is a restaurant where Mr. Why's work is relatively complete.

From here on, it's a comparative downtown attraction. Why should the museum be quietly hidden in the crowded Zongyuan, a five-storey art museum, but the door is narrow, looking for the way through its doors twice did not find. This time we met the Showa Times Photography Exhibition of Ibaraki Kimura. It was very interesting. The lens witnessed the living conditions of urban and rural people in Japan after World War II. Previous exhibitions included Robert Doisneau and Henri Cartier-Bresson.