MONA

Hobart's Museum of Ancient and Modern Art is a comprehensive and professional museum that introduces Tasmanian history and culture, animal and plant distribution, mineral resources and other aspects. The exhibits here are very rich, comprehensive introduction of Tasmania, whether from industrial development or the evolution of plants and animals, there are many exhibits and specimens in history, very interesting, worth a visit.

It is easy to drive from Hobart, and you can park here with the sign. The museum is a great place to walk around, and in a few high places you can enjoy the river and the views from the distance, it is definitely a feast of the senses, and those pink beanbag cushions that allow you to sit in the sun and relax, it is really a paradise.

The Tasmanian Museum of Ancient and Modern Art in Hobart is definitely a must visit. The museum's creativity is very good, mostly with animal specimens as the main line, with some sculptures or artworks and cultural relics, showing a scene of harmonious life between people and nature, very interesting, giving people a lot of inspiration.

The contemporary art outlying island worth a day trip is privately founded by a famous Australian wealthy man. 30 minutes from Hobart's main island by exclusive ferry, there are tennis courts, benches and a variety of dining and entertainment in addition to enjoying the art.

MONA Museum of Ancient and Modern Art was built by David Walsh at a cost of 75 million Australian dollars. The walls and the top of the museum are all bare stone walls. Inside MONA, there are three layers of exhibition hall extending downward. During the entry period, it is dark. Only the wall lights shine in front of the exhibits, coupled with the avant-garde modern exhibits, which leave a mysterious feeling. MONA is characterized by O-shaped distribution. Bit. fall is my favorite work of art, converting words into water droplets.

MONA Private Museum (Museum of Ancient and Modern Art) Mona is the coolest Museum I've ever visited. I dumped the reproduction and terrestrial worship of artists in the 800 streets of NGV, as well as the primitive unmodified architectural style of the Underground Museum of Death Aesthetics.