Before I came, it was recommended by others. It was indeed a great live performance. The scenery was very beautiful and very real! You can be very close to the actors, and you can participate in it, but I personally feel that there are too few dances and songs, and there are too many simple dialogue languages. It is a bit far-fetched to go into the story. Interesting and fun, good experience, nice scenery,
The venue is professionally designed, the audience is immersed in it, and the actors and actresses experience Pingyao's historical and cultural customs. The form of expression is novel and the director's level is first-rate, which is worth seeing. Insufficiency: There is a lack of on-site management, there are many people, and some scenes are a little chaotic.
It is recommended, interesting and fun, and the experience is very good. At the beginning, I decided to see Pingyao again because I had to go to Shanxi after reading the comments on the Internet. I knew that it was about the story of the dart board and the dart board. Shocked! Actually, I didn’t understand,
"Seeing Pingyao Again" tells a story about blood inheritance and continuity: At the end of the Qing Dynasty, Zhao Yishuo, the owner of the Pingyao Ancient City ticket bank, arrived at the end of his family property, and returned a bloodline from the treasurer of the semicolon king from Tsarist Russia. 232 escorts from Tongxinggong Escort Bureau went together. Seven years later, Zhao Dongjia himself and 232 escorts all died on the way, and the Wang family bloodline continued. "Seeing Pingyao Again" breaks through the original setting of using landscapes, but moved indoors, and organically blends the elements of the ancient city with the performance. The labyrinth-like theater has complicated spatial divisions, which is completely different from traditional theaters: walking through several different forms of themed spaces in 90 minutes, the audience can pick up fragments of ancestors’ lives: Pingyao City in the late Qing Dynasty, The Escort, and the Zhao Family The compound, the street market, the South Gate Plaza, etc., peek the clues of the story from the numerous fragments... Watching a live performance is like a "travel", the audience sometimes looks like a spectator, sometimes like a witness. This live performance can be described as a new attempt. In this regard, Wang Chaoge believes that the "Impression Series" is a live performance. From "Impression of the Third Sister Liu" to "Impression of Lijiang" to "Impression of the West Lake", they are all based on landscapes. It has been 10 years since the creation of a live performance. An artist should always dare to take another step. “It’s not very suitable for outdoor activities in the north. Winter can freeze everyone enough. The ancient city of Pingyao is not a big landscape, it is completely humanistic. Therefore, if you want to reproduce the art, you should not approach it, but get away a little bit and praise from the outside. It, so we have to build a big theater here."
The experience is very good, it is recommended, the scenery is good, interesting and fun, friends who go to Pingyao, must take a good look, don't miss it! The visual and auditory senses are very exciting, especially shocking. Tourists are both spectators and actors!