Eisenman's design fundamentally broke the concept of monuments and abandoned the use of any symbolic symbol. The network of 2711 cement tablets has many entrances and exits and can be used by visitors at will. The number 2711 is based on the size of the memorial site. It has no symbolic significance and has no relationship with the number of victims. The material of the monument is very hard grey self-sealing concrete. The production of the monument is near Berlin. In order to ensure the quality of the surface layer of the stele body will not deteriorate for a long time, a multi-layer processing scheme is adopted in the production process, which can also facilitate the removal of graffiti marks. An underground information hall can be reached by steps or elevators on the southeast side of the monument group. The design style of the exhibition hall is consistent with the block shape style of the monument group. The information about the victims, the victims and today's memorial sites is introduced. The museum is free and has a Chinese introduction. According to the Eisenman Plan, concrete slabs are designed to create a disturbing atmosphere, and the whole sculpture is intended to represent an original order that is far away from human beings due to human factors. Initially, the 2005 brochure for the official British visitors to the monument said that the design represented a drastic approach to the traditional concept of the monument, because Eisenman did not use any symbolism. In the attached underground "Local Information" (German - "Ort der Information) list the names of all known Jewish victims from the Yad Vashem Sanctuary in Israel.