Beginning 2 November, we will present an exhibition of large-scale paintings and assemblages by late American master Thornton Dial (1928 – 2016). The exhibition features major works from each period of Dial’s extraordinary career and draws upon a history of critical literature shaped by insights from such preeminent writers as Toni Morrison and Amiri Baraka. As its title implies, this presentation highlights Dial’s accomplishments as a maker of powerfully physical works (‘the visible’), while illuminating the often-obscured patterns of systemic trauma and exclusion (‘the invisible’) that drove his life and his prodigious artistic project. 

New York

United States

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As I ascended the Empire State Building observation deck, the lights of Manhattan gradually illuminated the twilight, like a galaxy inverted on the earth. The cold wind jingled the love locks on the railings, and the streaks of light from the yellow taxis below reminded me of the time-traveling encounter in &quot;Sleepless in Seattle.&quot; On the 86th floor, in a corner, I spotted an elderly couple, their wrinkled wool scarves billowing like gentle sails in the night breeze, quietly embracing through binoculars. As neon signs flashed in the distance, I suddenly understood why this city forever attracts dreamers&mdash;not because of its height, but because behind every window lies an untamed yearning.

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Time:	Nov 2, 2024–Jan 11, 2025 (UTC-5) ENDED
Location:	Hauser & Wirth New York, 22nd Street

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