Kahitsukan, Kyoto Modern Art Museum

I haven't understood this before, it's a mistake to hit the drop to see the big pumpkin, so excited, so lucky! At 10:00, I started to buy tickets at the automatic ticket machine. After I finished, I sat down and received plastic bags of shoes. I didn't know what was going on at the beginning. I had to take off my shoes and enter it! 100 yen storage items at the entrance can be refunded! The first time I saw the grass on the tatami, I had never had a comfortable experience! Really worth the fare. In addition to the exhibition, the gallery has several balconies to enjoy the Japanese garden view. If you are not in a hurry, it is not bad to sit there and see the scenery!

Walking in the Gion shopping street under the night, I unexpectedly saw such a sign: "Why Museum Kyoto Modern Art Museum". The posters on the side show that the exhibition is in progress, and the opening time is 19:00-18:00. I'm late.

When I took the elevator to the fifth floor of the hall, the door opened and I saw the scene. The red leaves are beautiful, but I still prefer the "silence" after the excitement is over.

Kyoto National Museum of Modern Art collection of Kansai-based Western Japanese art works occupy a large proportion, of which Kyoto modern Japanese painting and craft works are excellent, modern world pottery, dyeing, glass craft level European and American works and world photography history of important works collection is also very Rich. The museum has a permanent exhibition displaying collections, selected some works from about 6,600 collections, and displayed in a timely manner. There are also special exhibitions introducing domestic and foreign works, and also publish the gallery newsletter [window], and hold lectures related to the exhibition.

This is a restaurant where Mr. Why's work is relatively complete.

Looks good attractions, you can see a lot of good things

From here, it is a downtown attraction. Why is the museum quietly hidden in the tourist-like Gion? It is a 5-story art gallery, but the facade is narrow. When looking for the way, I passed by its door twice and didn't find it. We met this time at the Showa Times Photography Exhibition of Ibaraki Kimura. It was very interesting. The lens witnessed the living conditions of Japanese cities and rural people after World War II. Previous exhibitions included great gods such as Robert Doisneau and Henri Cartier-Bresson.