Lisson Gallery

The Rison Gallery is exhibiting artist Joanna Purse-Dart's solo exhibition "Light Around."[Exhibition] Purse-Dart continues to explore the iconic element of her practice in her new work, the art form of curved drawing boards, expressing her perception of the natural world. The artist blends all the components of the work, and the dynamic interaction between shapes, shapes, lines and colors is displayed on canvas, trying to outline the changes, dynamics and light that people perceive in nature. In fact, in the few exhibits, I felt like a colored bowl stacked together at first glance, but looked at it and felt that the artist was trying to find a way to describe the subject in her curved painting. She believes that each piece is a unique “environment” and her work is dedicated to capturing the smears of light in a fleeting state. Indeed, as we gaze at the works, the first pure colors are gradually blooming and settling into regions, with subtle differences between them. Their overall shape and interior composition also have fluidity.

The last time the flowers in the impression were beautiful but really not Risson, this time the work felt familiar Risson came back, it was its tone. The splicing and meshing of several color blocks are somewhat harmonious, and more are not seen. It is flat and not beyond expectations. The last three Almin Lehi galleries are in the depository.

Each of the exhibits at the Risen Gallery is simple and one of the few to be incomprehensible. This time, Helio Audisekka's first solo exhibition in China. [Exhibition Content] This exhibition is committed to introducing the creative methods and creative concepts of Audi Seca to the audience, and the works presented are its core representative works, focusing on "dynamic movement", marking the first time his art has entered the field of view of Asian audiences. The exhibition includes a series of paintings created during the period of 1957-1958, a space sculpture created in 1960 and has appeared in well-known art exhibitions many times so far, and an experimental image work, which will capture the complex and multidimensional transformation of Audi Seca's artistic career. Color, rhythm, interaction, participation are key words for our understanding of Horio Audisekka's lifelong artistic practice. Look closely at these works: one is like a samba dance in a hurry, the other is like a snowflake that slowly falls on Christmas Day. Audisekka's geometric abstraction is danced and dynamic. He injects rhythm and rhythm into geometric abstraction, irregular geometric shapes that are constantly folded, extended or generated by rapid or slow sensations the speed depends on the shape and position of geometric shapes in the Audi Seca picture. I can't understand the meaning of the depth of these abstract geometric paintings. I remember a high man who pointed out to me: what I don't understand is called art, what I understand is called folk culture! It seems that my appreciation level still stops at the folk culture stage.

I went to the Bund Rison Gallery to see Tony Craig's first solo exhibition of Shanghai space. Although there are not many works, there are only 7 sculptures, but I am still quite impressed. [Exhibition Content] The seven sculptures on display were created between 2018 and 2021, showing Craig's long-standing interest in imagining sculpture forms through the amount of material momentum. A keen sense of the world around him is the essence of Craig’s work, in which he has been working to reshape the traditional sense of “seeing as reality.” Each work is viewed as a unique experiment, exploring the infinite possibilities of materiality, proportion, and volume. [After viewing] This exhibition focuses on a series of bronze sculptures, "slicing" layers of different materials stacked, solidified into their respective shapes in the state of flow, like sedimentary rock displays from outer space. One of the works, called "Untitled", felt very close to life, presented a group of downpour pill-like small pieces, which, according to Craig himself, represented "health problems and the role of drugs in our lives." The seemingly repetitive and simple stacking works can have new forms and new meanings at different angles, and Craig's "stacking" is also a metaphor, just as the building has a floor and life has a story ( Craig once mentioned the homonym of the floor - storey and story - story), In the process of stacking, you can gain deeper experiences.

The current exhibition at the Rison Gallery is the solo exhibition of Tony Craig, a famous British sculptor and a leading figure in British contemporary art. As a famous sculptor, Craig focuses on exploring various types of sculpture creation and personally practices, making outstanding contributions to the development of contemporary sculpture art. Its early works mostly used recycling waste as raw materials, and in the later stage, it used traditional raw materials such as wood, bronze and marble as media to express the abstract beauty of the human body. The feeling of the exhibits to the turtle is a hurricane, layered, maybe good-looking, but not at the aesthetic point of the turtle.